Show Summary Details
- Title Pages
- Figures
- Notes on Contributors
- Acknowledgments
- Foreword
- Introduction: Making Films in Hell
-
Chapter 1 The Body as Apparatus: Doris Wishman’s Double Agent 73 -
Chapter 2 The Girls in the Mirror: Women’s Horror Filmmaking and Doris Wishman’s Each Time I Kill -
Chapter 3 Trans/sexual Negativity and the Ethics of (S)exploitation in Let Me Die a Woman -
Chapter 4 Hardcore Wishman -
Chapter 5 Bad Bis Go to Hell: Bisexuality as Transgressive and Lucrative in Doris Wishman’s Roughies -
Chapter 6 “It’s strange, but it’s wonderful”: Doris Wishman’s Nude on the Moon -
Chapter 7 Depicting Female Bodies: Doris Wishman, Carolee Schneemann, and Legacies of Subversion -
Chapter 8 Revolutionization of the EroticScreen: The Films of DorisWishman and Wakamatsu Koji -
Chapter 9 “You can’t say you’re not gettinga horror film here!”: Authorship,Genre, and the AccidentalAvant-Garde in Doris Wishman’s -
Chapter 10 My Teenage Cinematic Love Affair with Doris Wishman - Index
Title Pages
Title Pages
- Source:
- ReFocus: The Films of Doris Wishman
- Author(s):
- Alicia Kozma, Finley Freibert
- Publisher:
- Edinburgh University Press
Edinburgh Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.
Please, subscribe or login to access full text content.
If you think you should have access to this title, please contact your librarian.
To troubleshoot, please check our FAQs, and if you can't find the answer there, please contact us.
- Title Pages
- Figures
- Notes on Contributors
- Acknowledgments
- Foreword
- Introduction: Making Films in Hell
-
Chapter 1 The Body as Apparatus: Doris Wishman’s Double Agent 73 -
Chapter 2 The Girls in the Mirror: Women’s Horror Filmmaking and Doris Wishman’s Each Time I Kill -
Chapter 3 Trans/sexual Negativity and the Ethics of (S)exploitation in Let Me Die a Woman -
Chapter 4 Hardcore Wishman -
Chapter 5 Bad Bis Go to Hell: Bisexuality as Transgressive and Lucrative in Doris Wishman’s Roughies -
Chapter 6 “It’s strange, but it’s wonderful”: Doris Wishman’s Nude on the Moon -
Chapter 7 Depicting Female Bodies: Doris Wishman, Carolee Schneemann, and Legacies of Subversion -
Chapter 8 Revolutionization of the EroticScreen: The Films of DorisWishman and Wakamatsu Koji -
Chapter 9 “You can’t say you’re not gettinga horror film here!”: Authorship,Genre, and the AccidentalAvant-Garde in Doris Wishman’s -
Chapter 10 My Teenage Cinematic Love Affair with Doris Wishman - Index
