Jump to ContentJump to Main Navigation
Artmaking in the Age of Global CapitalismVisual Practices, Philosophy, Politics$
Users without a subscription are not able to see the full content.

Jan Bryant

Print publication date: 2019

Print ISBN-13: 9781474456944

Published to Edinburgh Scholarship Online: May 2020

DOI: 10.3366/edinburgh/9781474456944.001.0001

Show Summary Details
Page of

PRINTED FROM EDINBURGH SCHOLARSHIP ONLINE (www.edinburgh.universitypressscholarship.com). (c) Copyright Edinburgh University Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in ESO for personal use.date: 07 December 2021

A Community of Sense

A Community of Sense

Chapter:
(p.17) 2 A Community of Sense
Source:
Artmaking in the Age of Global Capitalism
Author(s):

Jan Bryant

Publisher:
Edinburgh University Press
DOI:10.3366/edinburgh/9781474456944.003.0003

The chapter opens with a distinction between political activism and artmaking by suggesting that activism tends to push the political as subject matter, while art has moved away this century from representing ‘the political’, returning to a concern for materials and their affects. However, such a crude distinction fails to account for nuances within practices, and thus the example of the Cuban artist, Tania Brugera, who uses political tools as material for her work, complicates the claim. Is it possible to define something as nebulous as an art community today? As with the contested space of aesthetics, Rancière argues that communities offer similar breaches that open and close, in this case between identities. There will be agreement in certain places and times on what constitutes an art community, but this is contingent upon an ongoing process of dissensus and transformation, subjectivation and disidentification. The chapter closes with an introduction to what became a global economic imperative from the 1970s, neo-liberalism, and it suggests that what is at stake for artists is a battle to define one’s practice against the contemporary figure of a complicit artist-entrepreneur. [185]

Keywords:   Tania Brugera, Art Community, Rancière, subjectivation, Disidentification, 1970s, Antonio Negri & Michael Hardt (Empire), Global capitalism (Neoliberalism)

Edinburgh Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.

Please, subscribe or login to access full text content.

If you think you should have access to this title, please contact your librarian.

To troubleshoot, please check our FAQs, and if you can't find the answer there, please contact us.