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Hardy, Conrad and the Senses$
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Hugh Epstein

Print publication date: 2019

Print ISBN-13: 9781474449861

Published to Edinburgh Scholarship Online: May 2020

DOI: 10.3366/edinburgh/9781474449861.001.0001

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PRINTED FROM EDINBURGH SCHOLARSHIP ONLINE (www.edinburgh.universitypressscholarship.com). (c) Copyright Edinburgh University Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in ESO for personal use.date: 29 July 2021

Facing Nature

Facing Nature

Chapter:
(p.59) Chapter Two Facing Nature
Source:
Hardy, Conrad and the Senses
Author(s):

Hugh Epstein

Publisher:
Edinburgh University Press
DOI:10.3366/edinburgh/9781474449861.003.0003

This two-part chapter initially places Hardy and Conrad within the context of later nineteenth-century scientific conceptions of ‘Nature’. Both writers are shown in their letters and essays as equivalently committed to facing indifferent nature in a manner similar to leading contemporary scientists and cultural thinkers. However, in their search for ‘underlying’ truths both authors exhibit a powerful strain of subjective idealism which is entwined with the materialist and objective writing largely claimed for them in this study. The second half of the chapter explores the similarities and equivalences in how, with a fidelity to mood and sensation, Hardy and Conrad ‘face nature’ in their richly descriptive writing. Their ‘peculiar relation to realism’ is seen to value a sentience that is more comprehensive in scope and less cerebral than the human consciousness depicted by other nineteenth-century realist writers.

Keywords:   Nature, Indifference, Material, Ideal, Description, Sentience, Realism

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