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The Filmmaker's PhilosopherMerab Mamardashvili and Russian Cinema$
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Alyssa DeBlasio

Print publication date: 2019

Print ISBN-13: 9781474444484

Published to Edinburgh Scholarship Online: May 2020

DOI: 10.3366/edinburgh/9781474444484.001.0001

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PRINTED FROM EDINBURGH SCHOLARSHIP ONLINE (www.edinburgh.universitypressscholarship.com). (c) Copyright Edinburgh University Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in ESO for personal use.date: 17 September 2021

The Freest Man in the USSR

The Freest Man in the USSR

Chapter:
(p.1) Introduction The Freest Man in the USSR
Source:
(p.iii) The Filmmaker’s Philosopher
Author(s):

Alyssa DeBlasio

Publisher:
Edinburgh University Press
DOI:10.3366/edinburgh/9781474444484.003.0001

The introduction offers an overview of Merab Mamardashvili’s life and influence, with special emphasis on his role in the Russian film industry since the mid-1970s. The introduction also serves as an entry point to Mamardashvili’s philosophical method and his philosophical roots in Descartes and Kant, whereby he feeds the history of philosophy through his own views and autobiography, engaging in intimate dialogue with thinkers of the past.

Keywords:   Soviet film industry, Descartes, Kant, Voprosy filosofii / Problems of Philosophy

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