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Twenty-First-Century GothicAn Edinburgh Companion$
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Maisha Wester and Xavier Aldana Reyes

Print publication date: 2019

Print ISBN-13: 9781474440929

Published to Edinburgh Scholarship Online: May 2020

DOI: 10.3366/edinburgh/9781474440929.001.0001

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PRINTED FROM EDINBURGH SCHOLARSHIP ONLINE (www.edinburgh.universitypressscholarship.com). (c) Copyright Edinburgh University Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in ESO for personal use.date: 02 August 2021

Queer Gothic

Queer Gothic

Chapter:
(p.33) Chapter 2 Queer Gothic
Source:
Twenty-First-Century Gothic
Author(s):

Andrew J. Owens

Publisher:
Edinburgh University Press
DOI:10.3366/edinburgh/9781474440929.003.0003

This chapter considers recent examples of Queer Gothic literature, television and film that, at first, appear to offer a greater latitude of pleasures than their progenitors, wherein non-normative visibility has ostensibly been liberated from the shackles of subtextual scrutiny. Although this triumphant tone is demonstrated in texts such as the premium cable soap opera Dante’s Cove (2005–7) and the seasonal anthology drama American Horror Story (2011–present), the spectre of a more menacing queerness still looms large. Indeed, Queer Gothic media continues to be inscribed with subcultural anxieties that persist in exhibiting fears that emerge from within marginalised sexual communities rather than from without, such as Alain Guiraudie’s Stranger by the Lake (2013) and John Logan’s Penny Dreadful (2014–16). This chapter demonstrates that the contemporary Queer Gothic remains committed to negotiating new ways of understanding pain and pleasure as two sides of the same sexual coin.

Keywords:   Gothic, horror, queer, vampire, witch, magick, LGBTQ

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