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Twenty-First-Century GothicAn Edinburgh Companion$
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Maisha Wester and Xavier Aldana Reyes

Print publication date: 2019

Print ISBN-13: 9781474440929

Published to Edinburgh Scholarship Online: May 2020

DOI: 10.3366/edinburgh/9781474440929.001.0001

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PRINTED FROM EDINBURGH SCHOLARSHIP ONLINE (www.edinburgh.universitypressscholarship.com). (c) Copyright Edinburgh University Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in ESO for personal use.date: 02 August 2021

Postcolonial Gothic

Postcolonial Gothic

Chapter:
(p.19) Chapter 1 Postcolonial Gothic
Source:
Twenty-First-Century Gothic
Author(s):

Sarah Ilott

Publisher:
Edinburgh University Press
DOI:10.3366/edinburgh/9781474440929.003.0002

Contemporary postcolonial Gothic provides a language for reengaging with the political realities of the post/neo-colonial present, speaking truths that are structurally repressed elsewhere,especially the lived realities of twenty-first-century postcolonial societies in the face of systemic violence and the structural exclusion of minority voices. This chapter explores how the irrealist aesthetics of twenty-first-century postcolonial Gothic function as critical commentary on the systemic failings of the contemporary moment, linking these failings to a history of colonisation, yet going further than the critique of colonial discourse or epistemology that predominated in twentieth-century postcolonial Gothic literature and criticism. The subgenre of postcolonial Gothic has evolved to encounter new contexts wrought by environmental disaster and resurgent nationalism that require action in the present in order to create a usable future, to address new racisms emerging from neo-imperial and nationalistic movements, and to repurpose new monsters suited to systemic critique.

Keywords:   neo-colonialism, imperialism, capitalism, racism, Islamophobia, systemic violence, environmental disaster, soucouyant

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