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Byron and Marginality$
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Norbert Lennartz

Print publication date: 2018

Print ISBN-13: 9781474439411

Published to Edinburgh Scholarship Online: May 2021

DOI: 10.3366/edinburgh/9781474439411.001.0001

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PRINTED FROM EDINBURGH SCHOLARSHIP ONLINE (www.edinburgh.universitypressscholarship.com). (c) Copyright Edinburgh University Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in ESO for personal use.date: 30 July 2021

Byron and the Good Death

Byron and the Good Death

Chapter:
(p.233) Chapter 12 Byron and the Good Death
Source:
Byron and Marginality
Author(s):

Tom Mole

Publisher:
Edinburgh University Press
DOI:10.3366/edinburgh/9781474439411.003.0012

The essay argues that throughout his writing life Byron was fascinated by the margin of life: the moment of death. For Byron and his heroes, looking squarely at other people’s deaths is understood to signify and promote a kind of moral fortitude. Byron’s verse, however, often elides the moment of death, offering no description of it, but offering instead an aposiopesis – a rhetorical break that allows the moment of death to disappear into the texture of the verse. The essay investigates how Byron operates at the margins of life and also at the margins of language, suggesting that those margins become central to his poetry.

Keywords:   Death, Ars moriendi, Aposiopesis, Margins of language, Epistemology, Castlereagh’s suicide

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