Jump to ContentJump to Main Navigation
Caught In-BetweenIntermediality in Contemporary Eastern European and Russian Cinema$
Users without a subscription are not able to see the full content.

Ágnes Petho

Print publication date: 2020

Print ISBN-13: 9781474435499

Published to Edinburgh Scholarship Online: September 2020

DOI: 10.3366/edinburgh/9781474435499.001.0001

Show Summary Details
Page of

PRINTED FROM EDINBURGH SCHOLARSHIP ONLINE (www.edinburgh.universitypressscholarship.com). (c) Copyright Edinburgh University Press, 2022. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in ESO for personal use.date: 17 May 2022

Trickster Narratives and Carnivalesque Intermediality in Contemporary Romanian Cinema

Trickster Narratives and Carnivalesque Intermediality in Contemporary Romanian Cinema

Chapter:
(p.109) Chapter 5 Trickster Narratives and Carnivalesque Intermediality in Contemporary Romanian Cinema
Source:
Caught In-Between
Author(s):

Christina Stojanova

Publisher:
Edinburgh University Press
DOI:10.3366/edinburgh/9781474435499.003.0006

Based on similarities in Mikhail Bakhtin's and Carl Gustav Jung's ideas about dialogism, this chapter discusses the inclusion of sequences featuring heterogenic audio-visual media of conspicuously lower quality – the shooting of a film, TV reportage, a home video – in representative selection of films by veteran Romanian directors Mircea Daneliuc and Lucian Pintilie, as well as in films by Corneliu Porumboiu and Gabriel Achim from the New Romanian Cinema generation. The chapter then argues that the resultant intermedial carnivalesque, or trickster narrative, is facilitated by a Trickster figure, usually a director's stand-in of ambiguous cultural, ideological and ethical repute. This self-reflexive and meta-médiatique versatility of Trickster narratives, the chapter concludes, have proven time and again to be superb vehicles for cinematic encoding, which explains the fascination of Romanian film auteurs with tricksterish re-enactments and intermedial carnivalesque.

Keywords:   dialogism, intermedial carnivalesque, Trickster, trickster narrative, self-reflexivity, re-enactment, Mikhail Bakhtin, Carl Gustav Jung

Edinburgh Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.

Please, subscribe or login to access full text content.

If you think you should have access to this title, please contact your librarian.

To troubleshoot, please check our FAQs, and if you can't find the answer there, please contact us.