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Cemberlitas Hamami in IstanbulThe Biographical Memoir of a Turkish Bath$
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Nina Macaraig

Print publication date: 2019

Print ISBN-13: 9781474434102

Published to Edinburgh Scholarship Online: September 2019

DOI: 10.3366/edinburgh/9781474434102.001.0001

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PRINTED FROM EDINBURGH SCHOLARSHIP ONLINE (www.edinburgh.universitypressscholarship.com). (c) Copyright Edinburgh University Press, 2020. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in ESO for personal use.date: 28 May 2020

Second Spring

Second Spring

Chapter:
(p.207) 7 Second Spring
Source:
Cemberlitas Hamami in Istanbul
Author(s):

Nina Macaraig

Publisher:
Edinburgh University Press
DOI:10.3366/edinburgh/9781474434102.003.0008

The last chapter analyses four more identities that the Çemberlitaş Hamamı has taken on in the twentieth and twenty-first centuries: that of a tourist attraction promoted by a long lineage of Orientalist painters, travel writers and, lately, guidebooks; that of an emblem for an Ottoman past that many Turkish citizens now rediscover in the wake of a postmodern nostalgia for an Ottoman past that is imagined to be both simpler and more authentic—also known as Ottomania; that of a modern workplace; and that of a digital entity with an online presence.

Keywords:   Identity, Orientalism, Travel writing, Tourism, Turkey, Cultural heritage, Nostalgia, Ottomania, Labour History, Digital technology

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