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Women, Periodicals and Print Culture in Britain, 1830s-1900sThe Victorian Period$
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Alexis Easley, Clare Gill, and Beth Rodgers

Print publication date: 2019

Print ISBN-13: 9781474433907

Published to Edinburgh Scholarship Online: January 2020

DOI: 10.3366/edinburgh/9781474433907.001.0001

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PRINTED FROM EDINBURGH SCHOLARSHIP ONLINE (www.edinburgh.universitypressscholarship.com). (c) Copyright Edinburgh University Press, 2020. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in ESO for personal use.date: 01 April 2020

Introduction

Introduction

Chapter:
(p.99) Introduction
Source:
Women, Periodicals and Print Culture in Britain, 1830s-1900s
Author(s):
Alexis Easley, Clare Gill, Beth Rodgers
Publisher:
Edinburgh University Press
DOI:10.3366/edinburgh/9781474433907.003.0040

IN A CONTROVERSIAL ARTICLE first published in the Saturday Review in 1868, Eliza Lynn Linton (1822–98) describes, in inflammatory terms, the ostensible moral degeneration of the character of the ‘Girl of the Period.’ Linton draws a sharp distinction between the ‘simple and genuine girl of the past, with her tender little ways and pretty bashful modesties’ and the new form of modern girl, ‘this loud and rampant modernization, with her false red hair and painted skin, talking slang as glibly as a man, and by preference leading the conversations to doubtful subjects’ (p. 340). The modern girl’s participation in the vulgar spectacle of cosmetics and dress was, for Linton, bound up with broader anxieties about the sexualisation of young women, not least because of their aesthetic proximity to the visual codes associated with the prostitute....

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