Show Summary Details
- Title Pages
- Figures
- Notes on Contributors
- Foreword by Andrew Nestingen
- Works Cited
-
Introduction: Susanne Bier’s Boundary-crossing Screen Authorship -
Part 1 Generic and Industrial Fluidity -
Chapter 1 Storytelling Schemes, Realism, and Ambiguity: Susanne Bier’s Danish Dramas -
Chapter 2 Negotiating Special Relationships: Susanne Bier’s Comedies -
Chapter 3 Susanne Bier’s Hollywood Experiments: Things We Lost in the Fire and Serena -
Part 2 Negotiating Identity -
Chapter 4 Beginning with Jewish Survival: Freud’s Leaving Home -
Chapter 5 Stories with Queer Identities -
Chapter 6 Judaism and Danish Directors: The Case of Lars von Trier vs. Susanne Bier -
Chapter 7 Gender Equity in Screen Culture: On Susanne Bier, the Celluloid Ceiling, and the Growing Appeal of TV Production -
Part 3 Authorship and Aesthetics -
Chapter 8 Tracing Affect in Susanne Bier’s Dramas -
Chapter 9 Vision and Ethics in A Second Chance (En chance til) -
Chapter 10 The Truth is in the Eyes: Susanne Bier’s Use of Close-ups in The Night Manager -
Part 4 Transnational Reach -
Chapter 11 Cinema of the World and Women’s Film Culture: Susanne Bier’s Transnational Cinema -
Chapter 12 From Local to Global: The Bier/Jensen Screenwriting Collaboration -
Chapter 13 Danish Privilege and Responsibility in the Work of Susanne Bier -
Postscript A Conversation with Susanne Bier - Filmography of Susanne Bier
- Acknowledgments
- Index
(p.13) Part 1 Generic and Industrial Fluidity (p.14)
(p.13) Part 1 Generic and Industrial Fluidity (p.14)
- Source:
- ReFocus: The Films of Susanne Bier
- Author(s):
Missy Molloy
Mimi Nielsen
Meryl Shriver-Rice
- Publisher:
- Edinburgh University Press
DOI:10.3366/edinburgh/9781474428729.011.0001
Edinburgh Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.
Please, subscribe or login to access full text content.
If you think you should have access to this title, please contact your librarian.
To troubleshoot, please check our FAQs, and if you can't find the answer there, please contact us.
- Title Pages
- Figures
- Notes on Contributors
- Foreword by Andrew Nestingen
- Works Cited
-
Introduction: Susanne Bier’s Boundary-crossing Screen Authorship -
Part 1 Generic and Industrial Fluidity -
Chapter 1 Storytelling Schemes, Realism, and Ambiguity: Susanne Bier’s Danish Dramas -
Chapter 2 Negotiating Special Relationships: Susanne Bier’s Comedies -
Chapter 3 Susanne Bier’s Hollywood Experiments: Things We Lost in the Fire and Serena -
Part 2 Negotiating Identity -
Chapter 4 Beginning with Jewish Survival: Freud’s Leaving Home -
Chapter 5 Stories with Queer Identities -
Chapter 6 Judaism and Danish Directors: The Case of Lars von Trier vs. Susanne Bier -
Chapter 7 Gender Equity in Screen Culture: On Susanne Bier, the Celluloid Ceiling, and the Growing Appeal of TV Production -
Part 3 Authorship and Aesthetics -
Chapter 8 Tracing Affect in Susanne Bier’s Dramas -
Chapter 9 Vision and Ethics in A Second Chance (En chance til) -
Chapter 10 The Truth is in the Eyes: Susanne Bier’s Use of Close-ups in The Night Manager -
Part 4 Transnational Reach -
Chapter 11 Cinema of the World and Women’s Film Culture: Susanne Bier’s Transnational Cinema -
Chapter 12 From Local to Global: The Bier/Jensen Screenwriting Collaboration -
Chapter 13 Danish Privilege and Responsibility in the Work of Susanne Bier -
Postscript A Conversation with Susanne Bier - Filmography of Susanne Bier
- Acknowledgments
- Index
