Show Summary Details
- Title Pages
- Figures
- Notes on Contributors
- Foreword by Andrew Nestingen
- Works Cited
- Introduction: Susanne Bier’s Boundary-crossing Screen Authorship
- Part 1 Generic and Industrial Fluidity
- Chapter 1 Storytelling Schemes, Realism, and Ambiguity: Susanne Bier’s Danish Dramas
- Chapter 2 Negotiating Special Relationships: Susanne Bier’s Comedies
- Chapter 3 Susanne Bier’s Hollywood Experiments: <i>Things We Lost in the Fire</i> and <i>Serena</i>
- Part 2 Negotiating Identity
- Chapter 4 Beginning with Jewish Survival: <i>Freud’s Leaving Home</i>
- Chapter 5 Stories with Queer Identities
- Chapter 6 Judaism and Danish Directors: The Case of Lars von Trier vs. Susanne Bier
- Chapter 7 Gender Equity in Screen Culture: On Susanne Bier, the Celluloid Ceiling, and the Growing Appeal of TV Production
- Part 3 Authorship and Aesthetics
- Chapter 8 Tracing Affect in Susanne Bier’s Dramas
- Chapter 9 Vision and Ethics in <i>A Second Chance</i> (<i>En chance til</i>)
- Chapter 10 The Truth is in the Eyes: Susanne Bier’s Use of Close-ups in <i>The Night Manager</i>
- Part 4 Transnational Reach
- Chapter 11 Cinema of the World and Women’s Film Culture: Susanne Bier’s Transnational Cinema
- Chapter 12 From Local to Global: The Bier/Jensen Screenwriting Collaboration
- Chapter 13 Danish Privilege and Responsibility in the Work of Susanne Bier
- Postscript A Conversation with Susanne Bier
- Filmography of Susanne Bier
- Acknowledgments
- Index
(p.13) Part 1 Generic and Industrial Fluidity (p.14)
(p.13) Part 1 Generic and Industrial Fluidity (p.14)
- Source:
- ReFocus: The Films of Susanne Bier
- Author(s):
Missy Molloy
Mimi Nielsen
Meryl Shriver-Rice
- Publisher:
- Edinburgh University Press
DOI:10.3366/edinburgh/9781474428729.011.0001
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- Title Pages
- Figures
- Notes on Contributors
- Foreword by Andrew Nestingen
- Works Cited
- Introduction: Susanne Bier’s Boundary-crossing Screen Authorship
- Part 1 Generic and Industrial Fluidity
- Chapter 1 Storytelling Schemes, Realism, and Ambiguity: Susanne Bier’s Danish Dramas
- Chapter 2 Negotiating Special Relationships: Susanne Bier’s Comedies
- Chapter 3 Susanne Bier’s Hollywood Experiments: <i>Things We Lost in the Fire</i> and <i>Serena</i>
- Part 2 Negotiating Identity
- Chapter 4 Beginning with Jewish Survival: <i>Freud’s Leaving Home</i>
- Chapter 5 Stories with Queer Identities
- Chapter 6 Judaism and Danish Directors: The Case of Lars von Trier vs. Susanne Bier
- Chapter 7 Gender Equity in Screen Culture: On Susanne Bier, the Celluloid Ceiling, and the Growing Appeal of TV Production
- Part 3 Authorship and Aesthetics
- Chapter 8 Tracing Affect in Susanne Bier’s Dramas
- Chapter 9 Vision and Ethics in <i>A Second Chance</i> (<i>En chance til</i>)
- Chapter 10 The Truth is in the Eyes: Susanne Bier’s Use of Close-ups in <i>The Night Manager</i>
- Part 4 Transnational Reach
- Chapter 11 Cinema of the World and Women’s Film Culture: Susanne Bier’s Transnational Cinema
- Chapter 12 From Local to Global: The Bier/Jensen Screenwriting Collaboration
- Chapter 13 Danish Privilege and Responsibility in the Work of Susanne Bier
- Postscript A Conversation with Susanne Bier
- Filmography of Susanne Bier
- Acknowledgments
- Index