- Title Pages
- Figures
- Notes on Contributors
- Foreword by Andrew Nestingen
- Works Cited
- Introduction: Susanne Bier’s Boundary-crossing Screen Authorship
- Part 1 Generic and Industrial Fluidity
- Chapter 1 Storytelling Schemes, Realism, and Ambiguity: Susanne Bier’s Danish Dramas
- Chapter 2 Negotiating Special Relationships: Susanne Bier’s Comedies
- Chapter 3 Susanne Bier’s Hollywood Experiments: <i>Things We Lost in the Fire</i> and <i>Serena</i>
- Part 2 Negotiating Identity
- Chapter 4 Beginning with Jewish Survival: <i>Freud’s Leaving Home</i>
- Chapter 5 Stories with Queer Identities
- Chapter 6 Judaism and Danish Directors: The Case of Lars von Trier vs. Susanne Bier
- Chapter 7 Gender Equity in Screen Culture: On Susanne Bier, the Celluloid Ceiling, and the Growing Appeal of TV Production
- Part 3 Authorship and Aesthetics
- Chapter 8 Tracing Affect in Susanne Bier’s Dramas
- Chapter 9 Vision and Ethics in <i>A Second Chance</i> (<i>En chance til</i>)
- Chapter 10 The Truth is in the Eyes: Susanne Bier’s Use of Close-ups in <i>The Night Manager</i>
- Part 4 Transnational Reach
- Chapter 11 Cinema of the World and Women’s Film Culture: Susanne Bier’s Transnational Cinema
- Chapter 12 From Local to Global: The Bier/Jensen Screenwriting Collaboration
- Chapter 13 Danish Privilege and Responsibility in the Work of Susanne Bier
- Postscript A Conversation with Susanne Bier
- Filmography of Susanne Bier
- Acknowledgments
- Index
A Conversation with Susanne Bier
A Conversation with Susanne Bier
- Chapter:
- (p.261) Postscript A Conversation with Susanne Bier
- Source:
- ReFocus: The Films of Susanne Bier
- Author(s):
- Missy Molloy, Mimi Nielsen, Meryl Shriver-rice
- Publisher:
- Edinburgh University Press
Based on an interview conducted in November 2016 in Copenhagen, the volume’s postscript foregrounds the topics covered in the book and touches on provocative readings of Bier’s films advanced by contributors. Bier’s responses to the editors’ questions provide material for future discussion, particularly in the overlaps they reveal between contributors’ interests and Bier’s. The interview also includes Bier’s thoughts on many issues addressed in the volume, thus inviting Bier to collaborate on this first major push to lay down a critical foundation for understanding her as a significant screen author.
Keywords: Susanne Bier, Danish cinema, women directors, cinematic genre, cinematic authorship
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- Title Pages
- Figures
- Notes on Contributors
- Foreword by Andrew Nestingen
- Works Cited
- Introduction: Susanne Bier’s Boundary-crossing Screen Authorship
- Part 1 Generic and Industrial Fluidity
- Chapter 1 Storytelling Schemes, Realism, and Ambiguity: Susanne Bier’s Danish Dramas
- Chapter 2 Negotiating Special Relationships: Susanne Bier’s Comedies
- Chapter 3 Susanne Bier’s Hollywood Experiments: <i>Things We Lost in the Fire</i> and <i>Serena</i>
- Part 2 Negotiating Identity
- Chapter 4 Beginning with Jewish Survival: <i>Freud’s Leaving Home</i>
- Chapter 5 Stories with Queer Identities
- Chapter 6 Judaism and Danish Directors: The Case of Lars von Trier vs. Susanne Bier
- Chapter 7 Gender Equity in Screen Culture: On Susanne Bier, the Celluloid Ceiling, and the Growing Appeal of TV Production
- Part 3 Authorship and Aesthetics
- Chapter 8 Tracing Affect in Susanne Bier’s Dramas
- Chapter 9 Vision and Ethics in <i>A Second Chance</i> (<i>En chance til</i>)
- Chapter 10 The Truth is in the Eyes: Susanne Bier’s Use of Close-ups in <i>The Night Manager</i>
- Part 4 Transnational Reach
- Chapter 11 Cinema of the World and Women’s Film Culture: Susanne Bier’s Transnational Cinema
- Chapter 12 From Local to Global: The Bier/Jensen Screenwriting Collaboration
- Chapter 13 Danish Privilege and Responsibility in the Work of Susanne Bier
- Postscript A Conversation with Susanne Bier
- Filmography of Susanne Bier
- Acknowledgments
- Index
