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ReFocus: The Films of Susanne Bier$
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ReFocus: The Films of Susanne Bier

Missy Molloy, Mimi Nielsen, and Meryl Shriver-Rice

Print publication date: 2018

Print ISBN-13: 9781474428729

Published to Edinburgh Scholarship Online: January 2019

DOI: 10.3366/edinburgh/9781474428729.001.0001

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PRINTED FROM EDINBURGH SCHOLARSHIP ONLINE (www.edinburgh.universitypressscholarship.com). (c) Copyright Edinburgh University Press, 2020. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in ESO for personal use.date: 27 February 2020

Gender Equity in Screen Culture: On Susanne Bier, the Celluloid Ceiling, and the Growing Appeal of TV Production

Gender Equity in Screen Culture: On Susanne Bier, the Celluloid Ceiling, and the Growing Appeal of TV Production

Chapter:
(p.134) Chapter 7 Gender Equity in Screen Culture: On Susanne Bier, the Celluloid Ceiling, and the Growing Appeal of TV Production
Source:
ReFocus: The Films of Susanne Bier
Author(s):

Mette Hjort

Publisher:
Edinburgh University Press
DOI:10.3366/edinburgh/9781474428729.003.0007

“Gender Equity in Screen Culture: On Susanne Bier, the Celluloid Ceiling, and the Growing Appeal of TV Production” reflects on Bier’s career in light of the “unprecedented attention” recently directed at gender inequality in the film industry. Mette Hjort foregrounds, in particular, the fact that Bier’s success involved her overcoming challenges posed by both her gender and her nationality. The chapter stresses that Bier’s shifting perception of such challenges is provocative, specifically Bier’s increasingly vocal support of gender equity in screen industries. Hjort concludes by predicting the likely effects of “a broader involvement of women in the film industry,” which Bier’s career harbingers.

Keywords:   Susanne Bier, Danish cinema, Women’s cinema, women’s screen authorship, gender equity

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