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ReFocus: The Films of Susanne Bier$
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Missy Molloy, Mimi Nielsen, and Meryl Shriver-Rice

Print publication date: 2018

Print ISBN-13: 9781474428729

Published to Edinburgh Scholarship Online: January 2019

DOI: 10.3366/edinburgh/9781474428729.001.0001

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Stories with Queer Identities

Stories with Queer Identities

Chapter:
(p.97) Chapter 5 Stories with Queer Identities
Source:
ReFocus: The Films of Susanne Bier
Author(s):

Anders Marklund

Publisher:
Edinburgh University Press
DOI:10.3366/edinburgh/9781474428729.003.0006

“Stories with Queer Identities” analyzes representations of queer characters in Bier’s films Like It Never Was Before (Pensionat Oskar, 1995), Once in a Lifetime (Livet är en schlager, 2000), and Love Is All You Need (Den skaldede frisør, 2012), and in her television series The Night Manager (2016). Anders Marklund argues that Bier’s career shift from ‘modest-sized Swedish productions to larger international ones’ parallels a movement away from nuance and toward broad stereotyping in her work’s approach to queer characters. He connects this shift to each film’s specific context and intended audience, linking, for instance, Like It Never Was Before to Sweden’s gay rights movement in the 1990s and considering The Night Manager’s Corky according to the series’ function as mainstream, heteronormative entertainment. Marklund concludes that Bier’s more recent and ‘elegant transnational productions’ re-marginalize queer characters in a manner reminiscent of earlier problematic film stereotypes.

Keywords:   Susanne Bier, Danish cinema, Swedish Cinema, Queer representation, Queer cinema

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