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Conceiving Desire in Lyly and ShakespeareMetaphor, Cognition and Eros$
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Gillian Knoll

Print publication date: 2020

Print ISBN-13: 9781474428521

Published to Edinburgh Scholarship Online: September 2020

DOI: 10.3366/edinburgh/9781474428521.001.0001

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PRINTED FROM EDINBURGH SCHOLARSHIP ONLINE (www.edinburgh.universitypressscholarship.com). (c) Copyright Edinburgh University Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in ESO for personal use.date: 17 September 2021

In Love

In Love

Chapter:
(p.99) Introduction In Love
Source:
Conceiving Desire in Lyly and Shakespeare
Author(s):

Gillian Knoll

Publisher:
Edinburgh University Press
DOI:10.3366/edinburgh/9781474428521.003.0010

Part II focuses on spatial metaphors of permeability and containment that dramatize erotic desire as a rupture between self and world. Such metaphors raise the stakes of erotic desire when intimacy requires characters to make themselves vulnerable. They compromise their personal and bodily boundaries but they also gain access to new forms of intimacy. This section of the book begins by exploring different philosophies of place, from thinkers such as Kenneth Burke to Luce Irigaray and Edward Casey, which illuminate the dynamics of desire in Lyly and Shakespeare. The introductory pages focus on the container schema, a basic cognitive structure that allows us to conceptualize bounded regions in space by imagining an inside, outside, and boundary. To illustrate the role of the container schema in erotic experience, these pages analyze Valentine’s speeches about Silvia in The Two Gentlemen of Verona. Although the famous questions in the play are “Who is Silvia? What is she?,” Valentine himself turns out to be preoccupied with the question, where is Silvia?

Keywords:   Space, Place, Intimacy, Boundary, Container schema, Two Gentlemen of Verona, Kenneth Burke, Edward Casey, Luce Irigaray

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