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The Late-Victorian Little Magazine$
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Koenraad Claes

Print publication date: 2018

Print ISBN-13: 9781474426213

Published to Edinburgh Scholarship Online: May 2019

DOI: 10.3366/edinburgh/9781474426213.001.0001

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PRINTED FROM EDINBURGH SCHOLARSHIP ONLINE (www.edinburgh.universitypressscholarship.com). (c) Copyright Edinburgh University Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in ESO for personal use.date: 25 June 2021

The Germs of a Genre: The Germ and the Oxford and Cambridge Magazine

The Germs of a Genre: The Germ and the Oxford and Cambridge Magazine

Chapter:
(p.16) Chapter 1 The Germs of a Genre: The Germ and the Oxford and Cambridge Magazine
Source:
The Late-Victorian Little Magazine
Author(s):

Koenraad Claes

Publisher:
Edinburgh University Press
DOI:10.3366/edinburgh/9781474426213.003.0002

This chapter offers a working definition for the little magazine genre, explained as dependent on the peculiar position these publications occupied in the wider periodical marketplace. It then looks at two titles that have been suggested as the starting point for this genre: the Pre-Raphaelite Brotherhood’s journal TheGerm (1850—e.g. Dante Gabriel Rossetti, Christina Rossetti, William Holman Hunt), and the closely linked Oxford and Cambridge Magazine (1856—e.g. William Morris and Edward Burne-Jones) that anticipates the message of the Arts & Crafts Movement, in which several contributors would be involved. Finally, the early tendencies in these journals towards a conceptual integration of their contents and the formal / material aspects of the printed text is related to the mid- to late-Victorian ‘Revival of Fine Printing’, which is argued to develop alongside the little magazine genre.

Keywords:   Pre-Raphaelitism, Germ, Dante Gabriel Rossetti, Christina Rossetti, William Holman-Hunt, Oxford and Cambridge Magazine, William Morris, Edward Burne-Jones, Arts & Crafts Movement, Revival of Fine Printing

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