Introduction
Introduction
In the late Victorian era, as in every period, the realm of the aesthetic was affirmed and kept within bounds by bordering non-artistic phenomena (moral, political, commercial) considered as setting off its limits, and on which it must not encroach. What unites the diverse artists and authors currently grouped under the heading of ‘Aestheticism’ is that they sought to integrate these surroundings into their aesthetic project as well. This led to the development of expansive art projects that are commonly known as ‘Total Works of Art’, influencing even seemingly ephemeral print media such as little magazines. Late-Victorian little magazines in different ways strove towards an integration of form and content and thereby to become periodical Total Works of Art that would not be contaminated by the worldly interests that they purported to defy. However, the dichotomy between art and commerce on which it relies is ultimately untenable.
Keywords: Victorian, Aestheticism, Total Work of Art, commercialism
Edinburgh Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.
Please, subscribe or login to access full text content.
If you think you should have access to this title, please contact your librarian.
To troubleshoot, please check our FAQs, and if you can't find the answer there, please contact us.
