Show Summary Details
- Title Pages
- Dedication
- Acknowledgements
- Notes on the Contributors
- Introduction
-
Chapter 1 What Can a Neoi Gwei Teach Us? Adaptation as Reincarnation in Hong Kong Horror of the 1950s -
Chapter 2 The White Snake in Hong Kong Horror Cinema: from Horrific Tales to Crowd Pleasers -
Chapter 3 From Killer Snakes to Taxi Hunters: Hong Kong Horror in an Exploitation Context -
Chapter 4 The Enduring Cult of The Bride with White Hair: Chivalry and the Monstrous Other in the Hong Kong Fantasy-Horror -
Chapter 5 Animated Pasts and Unseen Futures: on the Comic Element in Hong Kong Horror -
Chapter 6 Performing (Comic) Abjection in the Hong Kong Ghost Story -
Chapter 7 Hands, Fingers and Fists: ‘Grasping’ Hong Kong Horror Films -
Chapter 8 Tsui Hark’s Detective Dee Films: Police Procedural Colludes with Supernatural-Martial Arts Cinema -
Chapter 9 Cross-border Implications: Transnational Haunting, Gender and the Persistent Look of The Eye -
Chapter 10 Food for Thought: Cannibalism in The Untold Story and Dumplings -
Chapter 11 Sympathy for the Slasher: Strategies of Character Engagement in Pang Ho-cheung’s Dream Home -
Chapter 12 Ghostly Returns: the Politics of Horror in Hong Kong Cinema - Index
(p.vii) Acknowledgements
(p.vii) Acknowledgements
- Source:
- Hong Kong Horror Cinema
- Author(s):
- Gary Bettinson, Daniel Martin
- Publisher:
- Edinburgh University Press
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- Title Pages
- Dedication
- Acknowledgements
- Notes on the Contributors
- Introduction
-
Chapter 1 What Can a Neoi Gwei Teach Us? Adaptation as Reincarnation in Hong Kong Horror of the 1950s -
Chapter 2 The White Snake in Hong Kong Horror Cinema: from Horrific Tales to Crowd Pleasers -
Chapter 3 From Killer Snakes to Taxi Hunters: Hong Kong Horror in an Exploitation Context -
Chapter 4 The Enduring Cult of The Bride with White Hair: Chivalry and the Monstrous Other in the Hong Kong Fantasy-Horror -
Chapter 5 Animated Pasts and Unseen Futures: on the Comic Element in Hong Kong Horror -
Chapter 6 Performing (Comic) Abjection in the Hong Kong Ghost Story -
Chapter 7 Hands, Fingers and Fists: ‘Grasping’ Hong Kong Horror Films -
Chapter 8 Tsui Hark’s Detective Dee Films: Police Procedural Colludes with Supernatural-Martial Arts Cinema -
Chapter 9 Cross-border Implications: Transnational Haunting, Gender and the Persistent Look of The Eye -
Chapter 10 Food for Thought: Cannibalism in The Untold Story and Dumplings -
Chapter 11 Sympathy for the Slasher: Strategies of Character Engagement in Pang Ho-cheung’s Dream Home -
Chapter 12 Ghostly Returns: the Politics of Horror in Hong Kong Cinema - Index
