Jump to ContentJump to Main Navigation
Journeys on ScreenTheory, Ethics, Aesthetics$
Users without a subscription are not able to see the full content.

Louis Bayman and Natália Pinazza

Print publication date: 2018

Print ISBN-13: 9781474421836

Published to Edinburgh Scholarship Online: September 2019

DOI: 10.3366/edinburgh/9781474421836.001.0001

Show Summary Details
Page of

PRINTED FROM EDINBURGH SCHOLARSHIP ONLINE (www.edinburgh.universitypressscholarship.com). (c) Copyright Edinburgh University Press, 2019. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in ESO for personal use.date: 18 November 2019

Chronotopic Ghosts and Quiet Men: José Luis Guerín’s Innisfree

Chronotopic Ghosts and Quiet Men: José Luis Guerín’s Innisfree

Chapter:
(p.70) Chapter 4 Chronotopic Ghosts and Quiet Men: José Luis Guerín’s Innisfree
Source:
Journeys on Screen
Author(s):

Michael Pigott

Publisher:
Edinburgh University Press
DOI:10.3366/edinburgh/9781474421836.003.0005

In 1988 José Luis Guerín took a film crew from Spain to the western coast of Ireland, in search of the filming locations of John Ford’s The Quiet Man (1952). The resultant film, Innisfree (1990), blends documentary with fiction, and the present with the past, to seemingly uncover the physical, cultural and spectral remnants of the Hollywood production in this small rural locality. Innisfree is both the product of a journey (the Spanish filmmaker’s fannish field trip) and the representation of several journeys and returns. This essay examines Guerín’s depiction of the ghostly persistence of The Quiet Man in the landscape, by using Mikhail Bakhtin’s concept of the chronotope to identify the lasting significance of real and imagined time-spaces in the cinematic landscape. Just as immigrant Irishman Sean Thornton (John Wayne) returns to his spiritual homeland from Pittsburgh, USA to reclaim his family land, Ford himself returns to the land of his parents’ birth. In Innisfree Thornton’s, Ford’s and Guerín’s imagined Irelands all mingle and intertwine in a confusing crossroads of time, fiction, memory and landscape.

Keywords:   José Luis Guerín, chronotope, hauntology, John Ford, landscape, Ireland

Edinburgh Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.

Please, subscribe or login to access full text content.

If you think you should have access to this title, please contact your librarian.

To troubleshoot, please check our FAQs, and if you can't find the answer there, please contact us.