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Beckett's BreathAnti-Theatricality and the Visual Arts$
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Sozita Goudouna

Print publication date: 2018

Print ISBN-13: 9781474421645

Published to Edinburgh Scholarship Online: September 2018

DOI: 10.3366/edinburgh/9781474421645.001.0001

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PRINTED FROM EDINBURGH SCHOLARSHIP ONLINE (www.edinburgh.universitypressscholarship.com). (c) Copyright Edinburgh University Press, 2020. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in ESO for personal use.date: 09 April 2020

Intermedial Breath: Defying the Boundaries between Displaying and Staging

Intermedial Breath: Defying the Boundaries between Displaying and Staging

Chapter:
(p.148) 6 Intermedial Breath: Defying the Boundaries between Displaying and Staging
Source:
Beckett's Breath
Author(s):

Sozita Goudouna

Publisher:
Edinburgh University Press
DOI:10.3366/edinburgh/9781474421645.003.0007

This chapter focuses on Beckett's media environments and his experimentation with technology in relation to the complex contemporary media culture. Beckett explored some cardinal aspects of technology and wrote texts that deployed media so as to create dramatic effects and simultaneously challenged the limitations of the artistic medium. Breath is intrinsically intermedial given that is operates in-between realities, in-between the boundaries of artistic media, the verbal and the visual, the audible and the scenic, in-between visibility and invisibility, absence and emptiness, embodiment and ambiguity of corporeal experience. Intermediality is examined as a combinatory structure of syntactical elements that come from more than one medium, but are combined into one and are thereby transformed into a new entity

Keywords:   Intermediality, technology, mediation

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