The Durational Turn: Absorption and the Specificity of Temporality
The Durational Turn: Absorption and the Specificity of Temporality
The second chapter elaborates further on Fried's theory and its negative reception and provides a critical overview of Fried's controversial theory and its ideological ramifications by questioning Fried's high-modernist narrative about the viewing experience of visual art, as either a pure optical experience or as a strong gestalt. The chapter critically examines Fried's binarism between modernist presentness and minimalism's real time by arguing against Fried's claim that the worst aspect of minimalism is the manifestation of unlimited durationality.
Keywords: Presentness, Michael Fried, Absorption, Theatricality, Temporality
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