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Moving FiguresClass and Feeling in the Films of Jia Zhangke$
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Corey Kai Nelson Schultz

Print publication date: 2018

Print ISBN-13: 9781474421614

Published to Edinburgh Scholarship Online: January 2019

DOI: 10.3366/edinburgh/9781474421614.001.0001

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PRINTED FROM EDINBURGH SCHOLARSHIP ONLINE (www.edinburgh.universitypressscholarship.com). (c) Copyright Edinburgh University Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in ESO for personal use.date: 02 August 2021

Introduction

Introduction

Chapter:
(p.1) Introduction
Source:
Moving Figures
Author(s):

Corey Kai Nelson Schultz

Publisher:
Edinburgh University Press
DOI:10.3366/edinburgh/9781474421614.003.0108

The introduction examines Raymond Williams’s notion of “Structures of feeling” and how it has been theorized. Then, it reviews the history of class in China, the changes made to the Chinese class structure during the Maoist period (1949 to 1978), and the use of class figures in Chinese visual culture to advertise political changes, criticize institutions and attitudes, and inspire the populace. It concludes by examining the effects that China’s market reforms adopted in the Reform Era (beginning 1978) has had on Chinese society.

Keywords:   Chinese visual culture, Chinese film, Chinese social classes, Class figures, Structures of Feeling, Chinese social transition

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