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Women's Periodicals and Print Culture in Britain, 1690-1820sThe Long Eighteenth Century$
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Jennie Batchelor and Manushag N. Powell

Print publication date: 2018

Print ISBN-13: 9781474419659

Published to Edinburgh Scholarship Online: September 2018

DOI: 10.3366/edinburgh/9781474419659.001.0001

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PRINTED FROM EDINBURGH SCHOLARSHIP ONLINE (www.edinburgh.universitypressscholarship.com). (c) Copyright Edinburgh University Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in ESO for personal use.date: 18 September 2021

Theatrical, Periodical, Authorial: Frances Brooke’s Old Maid (1755–1756)

Theatrical, Periodical, Authorial: Frances Brooke’s Old Maid (1755–1756)

Chapter:
(p.426) 27 Theatrical, Periodical, Authorial: Frances Brooke’s Old Maid (1755–1756)
Source:
Women's Periodicals and Print Culture in Britain, 1690-1820s
Author(s):

Manushag N. Powell

Publisher:
Edinburgh University Press
DOI:10.3366/edinburgh/9781474419659.003.0028

Manushag Powell revisits Frances Brooke’s Old Maid (1755-6) to highlight its understudied interest in theatrical performance and criticism. Brooke’s interest in the drama was lifelong, encompassing not only personal ambitions that were partly thwarted by her famous quarrels with David Garrick over her Virginia and his King Lear, but also her friendship and eventual partnership with the powerful actress-manager Mary Ann Yates, who was also a close friend of fellow pioneering periodicalist Charlotte Lennox. Brooke’s interest in the theatre predated and reached far beyond Garrick’s involvement. Ultimately, the essay champions the radical ambitions of Brooke’s periodical writing and theatrical criticism, and both recognises and laments the fact that an alliance of female professional artistry could be enabled by the theatre, but not yet by periodical writing.

Keywords:   Frances Brooke, Mary Ann Yates, Charlotte Lennox, David Garrick, William Shakespeare, theatre, theatrical criticism

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