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Female Authorship and the Documentary ImageTheory, Practice and Aesthetics$
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Boel Ulfsdotter and Anna Backman Rogers

Print publication date: 2018

Print ISBN-13: 9781474419444

Published to Edinburgh Scholarship Online: September 2018

DOI: 10.3366/edinburgh/9781474419444.001.0001

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PRINTED FROM EDINBURGH SCHOLARSHIP ONLINE (www.edinburgh.universitypressscholarship.com). (c) Copyright Edinburgh University Press, 2019. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in ESO for personal use.date: 14 October 2019

‘Being a Woman Documentary Maker in Taiwan’ – An Interview with Singing Chen and Wuna Wu

‘Being a Woman Documentary Maker in Taiwan’ – An Interview with Singing Chen and Wuna Wu

Chapter:
(p.205) ‘Being a Woman Documentary Maker in Taiwan’ – An Interview with Singing Chen and Wuna Wu
Source:
Female Authorship and the Documentary Image
Author(s):

Chris Berry

Publisher:
Edinburgh University Press
DOI:10.3366/edinburgh/9781474419444.003.0014

Women documentarists have a strong position in the Taiwanese film industry. They receive commissions from people from all social strata, including local politicians and candidates to the presidential post. Berry’s interview thus focuses on the working conditions and social environment for women filmmakers in Taiwan.

Keywords:   Taiwan, Film industry, Documentary filmmaking, Working conditions, Film festivals

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