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Female Authorship and the Documentary ImageTheory, Practice and Aesthetics$
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Boel Ulfsdotter and Anna Backman Rogers

Print publication date: 2018

Print ISBN-13: 9781474419444

Published to Edinburgh Scholarship Online: September 2018

DOI: 10.3366/edinburgh/9781474419444.001.0001

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The Memories of Belleville Baby: Autofiction as Evidence

The Memories of Belleville Baby: Autofiction as Evidence

Chapter:
(p.144) 8. The Memories of Belleville Baby: Autofiction as Evidence
Source:
Female Authorship and the Documentary Image
Author(s):

Boel Ulfsdotter

Publisher:
Edinburgh University Press
DOI:10.3366/edinburgh/9781474419444.003.0010

The essay studies the impact of autofiction and memory on the requirement that documentary filmmaking is an evidence based practice. Using Mia Engberg’s film Belleville Baby as an example, the author discusses how the film’s narrative and visual form are affected by the ambivalence injected through the use of autofictive references and diary based memories. The author concludes that this is an ultimate example of (female) documentary authorship.

Keywords:   Autofiction, Evidence, Indexicality, Memory, Documentary Narrative, Visual form

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