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Female Authorship and the Documentary ImageTheory, Practice and Aesthetics$
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Boel Ulfsdotter and Anna Backman Rogers

Print publication date: 2018

Print ISBN-13: 9781474419444

Published to Edinburgh Scholarship Online: September 2018

DOI: 10.3366/edinburgh/9781474419444.001.0001

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PRINTED FROM EDINBURGH SCHOLARSHIP ONLINE (www.edinburgh.universitypressscholarship.com). (c) Copyright Edinburgh University Press, 2022. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in ESO for personal use.date: 02 July 2022

The Other, The Same: Towards a Metamodern Poetics with Heddy Honigmann

The Other, The Same: Towards a Metamodern Poetics with Heddy Honigmann

Chapter:
(p.127) 7. The Other, The Same: Towards a Metamodern Poetics with Heddy Honigmann
Source:
Female Authorship and the Documentary Image
Author(s):

Annelies van Noortwijk

Publisher:
Edinburgh University Press
DOI:10.3366/edinburgh/9781474419444.003.0009

Modernism and The Poetics of Sameness and Presence”. The author argues that through a paradigm shift from post-modernism towards what she proposes to refer to as meta-modernism, a new kind of poetic comes to the fore in which senses of ‘sameness’ and ‘presence’ and a drive towards inter-subjective connection and dialogue are pivotal. At the same time a turn to the subject, the real and the private, are the preferred strategies to address the central topics in contemporary culture; that of (often traumatic) memory and identity. The re-evaluation of the subject as an active, embodied and emotional individual is fundamental to such a shift.

Keywords:   Female gaze, Metamodernism, Sameness, Contemporary culture, Memory, Identity, Embodied subjectivity

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