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Female Authorship and the Documentary ImageTheory, Practice and Aesthetics$
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Boel Ulfsdotter and Anna Backman Rogers

Print publication date: 2018

Print ISBN-13: 9781474419444

Published to Edinburgh Scholarship Online: September 2018

DOI: 10.3366/edinburgh/9781474419444.001.0001

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PRINTED FROM EDINBURGH SCHOLARSHIP ONLINE (www.edinburgh.universitypressscholarship.com). (c) Copyright Edinburgh University Press, 2022. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in ESO for personal use.date: 02 July 2022

More Than One

More Than One

Chapter:
(p.40) 3. More Than One
Source:
Female Authorship and the Documentary Image
Author(s):

Sharon Daniel

Publisher:
Edinburgh University Press
DOI:10.3366/edinburgh/9781474419444.003.0004

“This is a multivocal essay. It is an attempt to both describe, and in a sense, embody the philosophy and methodology on which [the author] has built her practice as a new media documentary maker. The first section, The Personal is Political, looks at the relation between politics and aesthetics in conversation with Jacques Rancière, Kimberlé Williams Crenshaw, Gail Vanstone and others. In the remaining four sections, Convictions, Place, Body and Perspective, [the author] uses an essay written by Belgian Art critic, Pieter Van Bogaert, in response to an exhibition of Daniel’s work at STUK Kunstcentrum, as a kind of way-finder to guide [the reader] through a body of work that examines systems of justice and punishment.”

Keywords:   Multivocal method, Non-linear narrative, Interactive documentary, The Personal is Political, Body

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