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Female Authorship and the Documentary ImageTheory, Practice and Aesthetics$
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Female Authorship and the Documentary Image: Theory, Practice and Aesthetics

Boel Ulfsdotter and Anna Backman Rogers

Print publication date: 2018

Print ISBN-13: 9781474419444

Published to Edinburgh Scholarship Online: September 2018

DOI: 10.3366/edinburgh/9781474419444.001.0001

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PRINTED FROM EDINBURGH SCHOLARSHIP ONLINE (www.edinburgh.universitypressscholarship.com). (c) Copyright Edinburgh University Press, 2022. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in ESO for personal use.date: 30 June 2022

New Day Films: Collective Aesthetics and the collection

New Day Films: Collective Aesthetics and the collection

Chapter:
(p.22) 2. New Day Films: Collective Aesthetics and the collection
Source:
Female Authorship and the Documentary Image
Author(s):

Elizabeth Coffman

Erica Stein

Publisher:
Edinburgh University Press
DOI:10.3366/edinburgh/9781474419444.003.0003

The chapter tells the history of New Day Films, a film collective founded 1972. Today, New Day is one of the most financially stable nontheatrical distribution collectives in North America, boasting more than 165 members and 1m USD in yearly revenues. Films distributed by the collective have been screened, broadcast and awarded around the workd, studied in media journals, discussed at organised events, showcased in museums and collected by libraries. New Day’s collective (and its collection) provide compelling objects of study for the history of gender and documentary authorship.

Keywords:   New Day Films, Film collective, History of gender, Documentary authorship, Nontheatrical film distribution

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