Jump to ContentJump to Main Navigation
Time and TideThe Feminist and Cultural Politics of a Modern Magazine$

Catherine Clay

Print publication date: 2018

Print ISBN-13: 9781474418188

Published to Edinburgh Scholarship Online: January 2019

DOI: 10.3366/edinburgh/9781474418188.001.0001

Show Summary Details
Page of

PRINTED FROM EDINBURGH SCHOLARSHIP ONLINE (www.edinburgh.universitypressscholarship.com). (c) Copyright Edinburgh University Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in ESO for personal use. Subscriber: null; date: 23 September 2021

(p.279) Bibliography

(p.279) Bibliography

Source:
Time and Tide
Author(s):

Catherine Clay

Publisher:
Edinburgh University Press

Manuscript sources

Ball State University Archives and Special Collections

– Norman Angell Papers

Beinecke Rare Book and Manuscript Library, Yale University

– Ezra Pound Papers

– Rebecca West Papers

Cambridge University Library

– Society of Psychical Research Collection

Cornell University Library

– Wyndham Lewis Papers

Fales Library and Special Collections, New York University Libraries

– Elizabeth Robins Papers

Harry Ransom Center, The University of Texas at Austin

– Edith Sitwell Collection

– Elizabeth Robins Collection

– George Bernard Shaw Collection

– Virginia Woolf Collection

– Wyndham Lewis Collection

Houghton Library, Harvard University

– Theodora Bosanquet Papers

Hull History Centre

– Winifred Holtby Collection

King’s College Archive Centre, Cambridge University

– John Maynard Keynes Papers

McFarlin Library, University of Tulsa

– Rebecca West Papers

McMaster University Library

– Vera Brittain Papers

Mass Observation Archive, University of Sussex Schlesinger Library, Radcliffe Institute, Harvard University

– Doris Stevens Papers

Women’s Library, London

– Records of the British Federation of University Women

– Six Point Group Papers

(p.280) Periodicals and newspapers

The Adelphi

British Worker

Calendar of Modern Letters

The Criterion/New Criterion

Daily Express

Daily Herald

Daily News

The Englishwoman

Foreign Affairs

The Freewoman

G. K.s Weekly

Good Housekeeping

Labour Weekly

Jus Suffragii

Left Review

London Mercury

Manchester Guardian

Modern Woman

The Nation and Athenaeum

The New Age

The New Leader

The New Statesman

The New Statesman and Nation

The Observer

Opportunity

Saturday Review

Scrutiny

The Spectator

Time and Tide

The Times

The Vote

The Woman Clerk

The Woman Engineer

The Woman Teacher

The Woman’s Leader

Selected books and articles

Abu-Manneh, Bashir. 2011. Fiction of the New Statesman 1913–1939. Newark: University of Delaware Press.

Alberti, Johanna.1989. Beyond Suffrage: Feminists in War and Peace, 1914–28. London: Macmillan.

(p.281) ––. 1994a. ‘British Feminists and Anti-Fascism in the 1930s’. This Working-Day World: Women’s Lives and Cultures in Britain 1914–1945. Ed. Sybil Oldfield. London: Taylor & Francis. 111–22.

––. 1994b. ‘The Turn of the Tide: Sexuality and Politics, 1928–13’. Women’s History Review. 3.1:169–90.

Ardis, Ann. 2008. ‘Staging the Public Sphere: Magazine Dialogism and the Prosthetics of Authorship at the Turn of the Century’. Transatlantic Print Culture, 1880–1940: Emerging Media, Emerging Modernisms. Ed. Ann Ardis and Patrick Collier. Basingstoke: Palgrave Macmillan. 30–47.

Armstrong, Tim. 2005. Modernism. Cambridge: Polity.

Ashraf, Mary, ed. 1975. Political Verse and Song from Britain and Ireland. London: Lawrence and Wishart.

Atherton, Carol. 2005. Defining Literary Criticism: Scholarship, Authority and the Possession of Literary Knowledge 1880–2002. Basingstoke: Palgrave Macmillan.

Aynsley, Jeremy. 2007. ‘Fashioning Graphics in the 1920s: Typefaces, Magazines and Fashion’. Design and the Modern Magazine. Ed. Jeremy Aysley and Kate Forde. Manchester: Manchester University Press. 37–55.

Baldick, Chris. 1983. The Social Mission of English Criticism, 1848–1932. Oxford: Clarendon.

Baldwin, Dean. 2013. Art and Commerce in the British Short Story, 1880–1950. London: Routledge.

Barreca, Regina, ed. 1988. Last Laughs: Perspectives on Women and Comedy. New York: Gordon and Breach.

Bartley, Paula. 2014. Ellen Wilkinson: from Red Suffragist to Government Minister. London: Pluto Press.

Beasley, Rebecca. 2007. Theorists of Modernist Poetry: T. S. Eliot, T. H. Hulme and Ezra Pound. London: Routledge.

Beauman, Nicola. 1983. A Very Great Profession: The Woman’s Novel 1914–39. London: Virago.

Beaumont, Caitríona. 2013. Housewives and Citizens: Domesticity and the Women’s Movement in England 1928–64. Manchester: Manchester University Press.

Beckett, Fiona. 2002. The Complete Critical Guide to D. H. Lawrence. London: Routledge.

Beetham, Margaret. 1996. A Magazine of Her Own?: Domesticity and Desire in the Woman’s Magazine, 1800–1914. London: Routledge.

Berman, Jessica. 2011. Modernist Commitments: Ethics, Politics and Transnational Modernism. New York: Columbia University Press.

Berry, Paul and Alan Bishop, eds. 1985. Testament of a Generation: The Journalism of Vera Brittain and Winifred Holtby. London: Virago.

Binckes, Faith. 2010. Magazines, Modernism and the British Avant-Garde: Reading Rhythm. Oxford: Oxford University Press.

(p.282) Bingham, Adrian. 2004. Gender, Modernity and the Popular Press in Interwar Britain. Oxford: Oxford University Press.

Birn, Donald S. 1981. The League of Nations Union. Oxford: Clarendon Press.

Black, Naomi. 2004. Virginia Woolf as Feminist. Ithaca, NY: Cornell University Press.

Blair, Sara. 2004. ‘Local Modernity, Global Modernism: Bloomsbury and the Places of the Literary’. ELH 71: 813–38.

Bloom, Clive. 2002. Bestsellers: Popular Fiction Since 1900. Basingstoke: Palgrave Macmillan.

Bornstein, George. 2001. Material Modernism: The Politics of the Page. Cambridge: Cambridge University Press.

Bracco, Rosa Maria. 1990. Betwixt and Between: Middlebrow Fiction and English Society in the Twenties and Thirties. Melbourne: History Department of Melbourne.

Brake, Laurel. 1994. Subjugated Knowledges: Journalism, Gender and Literature in the Nineteenth Century. London: Macmillan.

Brittain, Vera. 1940. Testament of Friendship. London: Virago, 1980.

––. 1986. Chronicle of Friendship: Vera Brittain’s Diary of the Thirties. Ed. Alan Bishop. London: Victor Gollancz.

Brooker, Peter and Andrew Thacker, eds. 2009, 2012, 2013. The Oxford Critical and Cultural History of Modernist Magazines. 3 vols. Oxford: Oxford University Press.

Broomfield, Andrea L. 2004. ‘Eliza Lynn Linton, Sarah Grand and the Spectacle of the Victorian Woman Question: Catch Phrases, Buzz Words and Sound Bites’. English Literature in Transition 47.3: 251–72.

Brosnan, Leila. 1999. Reading Virginia Woolf’s Essays and Journalism. Edinburgh: Edinburgh University Press.

Brown, Erica and Mary Grover, eds. 2012. Middlebrow Literary Cultures: the Battle of the Brows, 1920–60. Basingstoke: Palgrave Macmillan.

Bryant, Mark. 2000. Dictionary of Twentieth-Century British Cartoonists and Caricaturists. Aldershot: Ashgate.

Bush, Barbara. 1999. Imperialism, Race and Resistance: Africa and Britain 1919–1945. London: Routledge.

Carey, John. 1992. The Intellectuals and the Masses: Pride and Prejudice among the Literary Intelligentsia 1880–1939. London: Faber and Faber.

Carlson, Susan. 2000. ‘Comic Militancy: The Politics of Suffrage Drama’. Women, Theatre and Performance: New Histories, New Historiographies. Ed. Maggie B. Gale and Viv Gardner. Manchester: Manchester University Press. 198–215.

Carter, David. 2015. ‘Middlebrow Book Culture’. Routledge International Handbook of the Sociology of Art and Culture. Ed. Laurie Hanquinet and Mike Savage. London: Routledge. 349–69.

(p.283) Ceadel, Martin. 1980. Pacifism in Britain 1914–1945: The Defining of a Faith. Oxford: Clarendon Press.

––. 1999. ‘A Legitimate Peace Movement: The Case of Britain, 1918–1945’. Challenge to Mars: Pacifism from 1918–1945. Ed. Peter Brock and Thomas P. Socknat. Toronto: University of Toronto Press. 134–48.

Chan, Evelyn T. 2010. ‘Professions, Freedom and Form: Reassessing Woolf’s The Years and Three Guineas’. Review of English Studies. 61. 251: 591–613.

Clark, Suzanne. 1991. Sentimental Modernism: Women Writers and the Revolution of the Word. Bloomington: Indiana University Press.

Clay, Catherine. 2006. British Women Writers 1914–1945: Professional Work and Friendship. Aldershot: Ashgate.

––. 2009. ‘On Not Forgetting “the Importance of Everything Else”: Feminism, Modernism and Time and Tide, 1920–1939’. Key Words: A Journal of Cultural Materialism. 7: 20–37.

––. 2010. ‘Winifred Holtby, Journalist: Rehabilitating Journalism in the Modernist Ferment’. Winifred Holtby: ‘A Woman In Her Time’. Ed. Lisa Regan. Cambridge: Cambridge Scholars Press. 65–88.

––. 2011. ‘“What We Might Expect if the Highbrow Weeklies Advertised Like the Patent Foods”: Time and Tide, Advertising and the Battle of the Brows’. Modernist Cultures 6:1: 60–95.

––. 2018. ‘“The Magazine Short Story and the Real Short Story”: Consuming Fiction in the Feminist Weekly Time and Tide’. Women’s Periodicals and Print Culture in Britain 1918–1939: the Interwar Period. Ed. Catherine Clay, Maria DiCenzo, Barbara Green and Fiona Hackney. Edinburgh: Edinburgh University Press. 72–86.

Cockin, Katharine. 1998. Edith Craig (1869–1947): Dramatic Lives. London: Cassell.

––. 2001. Women and Theatre in the Age of Suffrage: The Pioneer Players, 1911–1925. Basingstoke: Palgrave.

––. 2015. ‘Edith Craig and the Pioneer Players: London’s International Art Theatre in a “Khaki-clad and Khaki-minded World”’. British Theatre and the Great War, 1914–1919: New Perspectives. Ed. Andrew Maunder. Basingstoke: Palgrave Macmillan. 121–39.

Cohen, Deborah Rae. 2006. ‘Rebecca West and the Taxonomies of Criticism’. Rebecca West Today: Contemporary Critical Approaches. Ed. Bernard Schweizer. Newark: University of Delaware Press. 143–56.

Colletta, Lisa. 2003. Dark Humor and Social Satire in the Modern British Novel. Basingstoke: Palgrave Macmillan.

Collier, Patrick. 2006. Modernism on Fleet Street. Aldershot: Ashgate.

––. 2007. ‘Journalism Meets Modernism’. Gender in Modernism: New Geographies, Complex Intersections. Ed. Bonnie Kime Scott. Urbana and Chicago: University of Illinois Press. 186–224.

(p.284) ––. 2015. ‘What Is Modern Periodical Studies?’ Journal of Modern Periodical Studies. 6.2: 92–111.

––. 2016. Modern Print Artefacts: Textual Materiality and Literary Value in British Print Culture, 1890–1930. Edinburgh: Edinburgh University Press.

Conroy, Jack and Curt Johnston, eds. 1973. Writers in Revolt: The Anvil Anthology. New York: L. Hill.

Corrin, Jay P. 1989. G. K. Chesterton and Hilaire Belloc: The Battle Against Modernity. Ohio: Ohio University Press.

Cowman, Krista and Louise A. Jackson, eds. 2005. Women and Work Culture in Britain c. 1850–1950. Aldershot: Ashgate.

Croft, Andy. 1990. Red Letter Days: British Fiction in the 1930s. London: Lawrence and Wishart.

Cuddy-Keane, Melba. 2003. Virginia Woolf, the Intellectual and the Public Sphere. Cambridge: Cambridge University Press.

Deakin, Phyllis A. 1984. Press On. Worthing, West Sussex: Henry E. Walter.

De Groot, Joanna and Sue Morgan. 2015. ‘Beyond the “Religious Turn”? Past, Present and Future Perspectives in Gender History’. Gender and History 25. 3: 395–422.

Delafield, E. M. 1930. The Diary of a Provincial Lady. London: Virago, 1984.

––, ed. 1932. The Time and Tide Album. London: Hamish Hamilton.

––. 1937. ‘The Diary of a Provincial Lady’. Titles to Fame. Ed. Denys Kilham Roberts. London: Thomas Nelson and Sons. 119–38.

Delap, Lucy. 2000. ‘The Freewoman, Periodical Communities, and the Feminist Reading Public’. Princeton University Library Chronicle 61: 233–76.

––. 2007. The Feminist Avant-Garde: Transatlantic Encounters of the Early Twentieth Century. Cambridge: Cambridge University Press.

Demoor, Marysa and Kate Macdonald. 2010. ‘Finding and Defining the Victorian Supplement’. Victorian Periodicals Review 43.3: 97–110.

Dentith, Simon. 2000. Parody. London: Routledge.

Detloff, Madelyn. 2016. The Value of Virginia Woolf. Cambridge: Cambridge University Press.

DiCenzo, Maria and Leila Ryan. 2007. ‘Neglected News: Women and Print Media, 1890–1928’. Residual Media. Ed. Charles R. Acland. Minneapolis: University of Minnesota Press. 239–56.

DiCenzo, Maria and Lucy Delap. 2008. ‘Transatlantic Print Culture: The Anglo-American Feminist Press and Emerging “Modernities”’. Transatlantic Print Culture, 1880–1940: Emerging Media, Emerging Modernisms. Ed. Ann Ardis and Patrick Collier. Basingstoke: Palgrave Macmillan. 48–65.

DiCenzo, Maria, with Lucy Delap and Leila Ryan. 2011. Feminist Media History: Suffrage Periodicals and the Public Sphere. Basingstoke: Palgrave Macmillan.

(p.285) DiCenzo, Maria. 2014. ‘“Our Freedom and Its Results”: Measuring Progress in the Aftermath of Suffrage’. Women’s History Review 23.3: 421–40.

DiCenzo, Maria, with Alexis Motuz. 2016. ‘Politicizing the Home: Welfare Feminism and the Feminist Press in Interwar Britain’. Women: A Cultural Review. 27: 4: 378–96.

Dickens, Elizabeth. 2011. ‘“Permanent Books”: The Reviewing and Advertising of Books in the Nation and Athenaeum.’ Journal of Modern Periodical Studies 2.2: 165–84.

Dixon, Joy. 2010. ‘Modernity, Heterodoxy, and the Transformation of Religious Cultures’. Women, Gender, and Religious Cultures in Britain 1800–1940. Ed. Sue Morgan and Jacqueline deVries. London: Routledge. 211–30.

Doughan, David. 1987. ‘Periodicals by, for and about women in Britain’. Women’s Studies International Forum 3: 261–73.

Doughan, David and Denise Sanchez. 1987. Feminist Periodicals 1855–1984. Brighton: Harvester.

Dowson, Jane. 2009. ‘Interventions in the Public Sphere: Time and Tide (1920–30) and The Bermondsey Book (1923–30)’. The Oxford Critical and Cultural History of Modernist Magazines. Volume 1, Britain and Ireland 1880–1955. Ed. Peter Brooker and Andrew Thacker. Oxford: Oxford University Press. 530–51.

Elgin, Josephine. 1999. ‘Women Pacifists in Interwar Britain’. Challenge to Mars: Essays on Pacifism from 1914–1945. Ed. Peter Brock and Thomas P. Socknat. Toronto: University of Toronto Press. 149–68.

Eoff, Shirley M. 1991. Viscountess Rhondda: Equalitarian Feminist. Columbus: Ohio State University Press.

Eros, Paul. 2002. ‘A Provision of Agape: Gerald Heard’s Importance to Auden’. W. H. Auden: A Legacy. Ed. David Garrett Izzo. West Cornwall, CT: Locust Hill Press. 105–19.

Falby, Alison. 2008. Between the Pigeonholes: Gerald Heard 1889–1971. Cambridge: Cambridge Scholars Press.

Farjeon, Annabel. 1986. Morning Has Broken: Biography of Eleanor Farjeon. London: Julia Macrae.

Farjeon, Eleanor, 1958. Edward Thomas: The Last Four Years. Oxford: Oxford University Press.

Fernald, Anne. 2013. ‘Women Fiction, New Modernist Studies, and Feminism’. Modern Fiction Studies. 59.2: 229–40.

Flint, Kate. 1993. The Woman Reader 1837–1914. Oxford: Oxford University Press.

Freeman, Charles. 2004. Egypt, Greece and Rome: Civilizations of the Ancient Mediterranean, 2nd edn. Oxford: Oxford University Press.

Frost, Laura. 2013. The Problem with Pleasure: Modernism and its Discontents. New York: Columbia University Press.

Fyfe, Hamilton. 1926. Behind the Scenes of the Great Strike. London: The Labour Publishing Company.

(p.286) Gale, Maggie B. 1996. West End Women: Women and the London Stage 1918–1962. London: Routledge.

––. 2000. ‘Errant Nymphs: Women and the Inter-War Theatre’. British Theatre between the Wars 1918–1939. Ed. Clive Barker and Maggie B. Gale. Cambridge: Cambridge University Press. 119–34.

Gardner, Viv. 2015. ‘The Theatre of the Flappers?: Gender, Spectatorship and the “Womanisation” of Theatre 1914–1918’. British Theatre and the Great War, 1914–1919: New Perspectives. Ed. Andrew Maunder. Basingstoke: Palgrave Macmillan. 161–78.

Garrity, Jane. 1999. ‘Selling Culture to the “Civilized”: Bloomsbury, British Vogue, and the Marketing of National Identity’. Modernism/Modernity. 6.2: 29–58.

––. 2013. ‘Modernist Women’s Writing: Beyond the Threshold of Obsolescence’. Literature Compass. 10.1: 15–29.

Glendinning, Victoria. 1987. Rebecca West: A Life. London: Weidenfeld and Nicolson.

Goldie, David. 1998. A Critical Difference: T. S. Eliot and John Middleton Murry in English Literary Criticism, 1919–1928. Oxford: Clarendon Press.

Goldman, Jonathan. 2011. Modernism Is the Literature of Celebrity. Austin: University of Texas Press.

Gottlieb, Julie V. 2005. ‘Feminism and Anti-Fascism in Britain’. British Fascism, the Labour Movement, and the State. Ed. Nigel Copsey and David Renton. Basingstoke: Palgrave Macmillan. 68–94.

––. 2010. ‘Varieties of Feminist Responses to Fascism in Inter-War Britain’. Varieties of Anti-Fascism: Britain in the Inter-War Period. Ed. Nigel Copsey and Andrzej Olechnowicz. Basingstoke: Palgrave Macmillan. 101–18.

––. 2012. ‘“Broken Friendships and Vanished Loyalities”: Gender, Collective (In)Security and Anti-Fascism in Britain in the 1930s’. Politics, Religion and Ideology 13.2: 197–219.

––. 2013. ‘“We Were Done the Moment We Gave Women the Vote”: The Female Franchise Factor and the Munich By-elections, 1938–1939’. The Aftermath of Suffrage: Women, Gender, and Politics in Britain 1918–1945. Ed. Julie V. Gottlieb and Richard Toye. Basingstoke: Palgrave Macmillan. 159–80.

––. 2014. ‘“The Women’s Movement Took the Wrong Turning”: British Feminists, Pacifism and the Politics of Appeasement’. Women’s History Review. 23.3: 441–62.

Graves, Pamela M. 1994. Labour Women: Women in British Working-Class Politics, 1918–1939. Cambridge: Cambridge University Press.

Green, Barbara. 2009. ‘The Feminist Periodical Press: Women, Periodical Studies, and Modernity’. Literature Compass 6.1: 191–205.

––. 2017. Feminist Periodicals and Daily Life: Women and Modernity in British Culture. Basingstoke: Palgrave Macmillan.

(p.287) Guy, Josephine M. and Ian Small. 2000. ‘The British “Man of Letters” and the Rise of the Professional’. The Cambridge History of Literary Criticism, vol. 7, Modernism and the New Criticism. Ed. A. Walton Litz, Louis Menand and Lawrence Rainey. Cambridge: Cambridge University Press. 377–88.

Hackney, Fiona. 2008. ‘“Women are News”: British Women’s Magazines 1919–1939’. Transatlantic Print Culture, 1880–1940: Emerging Media, Emerging Modernisms. Ed. Ann Ardis and Patrick Collier. Basingstoke: Palgrave Macmillan. 114–33.

Hall, Leslie. 2011. ‘An Ambiguous Idol: H. G. Wells Inspiring and Infuriating Women’. The Wellsian. 34: 68–75.

Hallam, Michael. 2011. ‘In the “Enemy” Camp: Wyndham Lewis, Naomi Mitchison and Rebecca West’. Wyndham Lewis and the Cultures of Modernity. Ed. Andrzej Gasiorek, Alice Reeve-Tucker and Nathan Waddell. London: Routledge. 57–76.

Hammill, Faye. 2006. ‘Modernism and the Culture of Celebrity’. Modernism/ Modernity 13.2: 389–90.

––. 2007. Women, Celebrity and Literary Culture Between the Wars. University of Texas Press.

––. 2010. ‘In Good Company: Modernism, Celebrity, and Sophistication in Vanity Fair’. Modernist Star Maps: Celebrity, Modernity, Culture. Ed. Aaron Jaffe and Jonathan Goldman. Farnham: Ashgate. 123–36.

Hammond, J. R. 1979. An H. G. Wells Companion: A Guide to the Novels, Romances and Short Stories. London: Macmillan.

Hampton, Mark. 2004. Visions of the Press in Britain 1850–1950. Urbana and Chicago: University of Illinois Press.

Hankins, Leslie Kathleen. 2004. ‘Iris Barry, Writer and Cinéaste, Forming Film Culture in London 1924–26: the Adelphi, the Spectator, the Film Society, and the British Vogue’. Modernism/Modernity. 11.3: 488–515.

Hannam, June and Karen Hunt. 2002. Socialist Women: Britain 1880s to 1920s. London: Routledge.

Hanson, Clare. 2000. Hysterical Fictions: The ‘Woman’s Novel’ in the Twentieth Century. Basingstoke: Palgrave Macmillan.

Hapgood, Lynne and Nancy L. Paxton, eds. 2000. Outside Modernism: In Pursuit of the English Novel, 1900–1930. London: Macmillan.

Harding, Jason. 2002. The Criterion: Cultural Politics and Periodical Networks in Inter-War Britain. Oxford: Oxford University Press.

––. 2009. ‘The Idea of a Literary Review: T. S. Eliot and The Criterion’. The Oxford Critical and Cultural History of Modernist Magazines, vol. 1, Britain and Ireland 1880–1955. Ed. Peter Brooker and Andrew Thacker. Oxford: Oxford University Press. 346–63.

Harris, H. Wilson, ed. 1937. Christianity and Communism. Oxford: Basil Blackwell.

Harvey, Anne, ed. 2013. Like Sorrow or a Tune: Poems of Eleanor Farjeon. Holt: Laurel Books.

(p.288) Haslam, Beryl. 1999. From Suffrage to Internationalism: The Political Evolution of Three British Feminists, 1908–1939. New York: P. Lang.

Hazelgrove, Jenny. 2000. Spiritualism and British Society between the Wars. Manchester: Manchester University Press.

Heath, Stephen. 1994. ‘I. A. Richards, F. R. Leavis and Cambridge English’. Cambridge Minds. Ed. Richard Mason. Cambridge: Cambridge University Press. 20–33.

Heffernan, Laura. 2008. ‘Reading Modernism’s Cultural Field: Rebecca West’s Strange Necessity’. Tulsa Studies in Women’s Literature 27.2: 309–25.

Hickman, Miranda, ed. 2011. One Must Not Go Altogether with the Tide: the Letters of Ezra Pound and Stanley Nott. Ithaca, NY: McGill-Queen’s University Press.

Hilliard, Christopher. 2006. To Exercise Our Talents: the Democratization of Writing in Britain. Cambridge, MA: Harvard University Press.

Hinton, James. 2013. The Mass Observers: A History, 1937–1949. Oxford: Oxford University Press.

Hoberman, Ruth. 1997. Gendering Classicism: The Ancient World in Twentieth-Century Women’s Historical Fiction. Albany: State University of New York Press.

Hobson, Suzanne. 2011. Angels of Modernism: Religion, Culture, Aesthetics, 1910–1960. Basingstoke: Palgrave Macmillan.

Hollis, Matthew. 2011. Now All Roads Lead to France: The Last Years of Edward Thomas. London: Faber & Faber.

Holtby, Winifred. 1934. Women and a Changing Civilisation. London: John Lane.

Hopkinson, Diana. 1968. The Incense-Tree. London: Routledge.

Howarth, Peter. 2005. British Poetry in the Age of Modernism. Cambridge: Cambridge University Press.

Hubble, Nick. 2006. Mass-Observation and Everyday Life: Culture, History, Theory. Basingstoke: Palgrave Macmillan.

Huculak, J. Matthew. 2009. ‘The London Mercury (1919–1939) and Other Moderns’. The Oxford Critical and Cultural History of Modernist Magazines. Volume 1, Britain and Ireland 1880–1955 Ed. Peter Brooker and Andrew Thacker. Oxford: Oxford University Press. 240–59.

Humble, Nicola. 2001. The Feminine Middlebrow Novel 1920s to 1950s: Class, Domesticity and Bohemianism. Oxford: Oxford University Press.

––. 2011. ‘Sitting Forward or Sitting Back: Highbrow v. Middlebrow Reading’. Modernist Cultures 6.1: 41–59.

Hyams, Edward. 1963. The New Statesman: The History of the First Fifty Years 1913–1963. London: Longmans.

Ingman, Heather. 2010. ‘Religion and the Occult in Women’s Modernism’. The Cambridge Companion to Modernist Women Writers. Ed. Maren Tova Linett. Cambridge: Cambridge University Press. 187–202.

(p.289) Ingram, Angela and Daphne Patai, eds. 1993. Rediscovering Forgotten Radicals: British Women Writers, 1889–1939. Chapel Hill: University of North Carolina Press.

Izzo, David Garrett. 2002. ‘The Incredible Gerald Heard and “This Thing”’. W. H. Auden: A Legacy. Ed. David Garrett Izzo. West Cornwall, CT: Locust Hill Press. 89–104.

Jackson, T. A. 1937. ‘Communism, Religion and Morals’. A Mind in Chains: Socialism and the Cultural Revolution. Ed. C. Day Lewis. London: Frederick Muller. 205–35.

Jaffe, Aaron. 2005. Modernism and the Culture of Celebrity. Cambridge University Press.

James, David. 2010. ‘Modernist Narratives: Revisions and Rereadings’. The Oxford Handbook of Modernisms. Ed. Peter Brooker, Andrzej Gasiorek, Deborah Longworth and Andrew Thacker. Oxford: Oxford University Press. 85–107.

Janowitz, Anne. 1998. Lyric and Labour in the Romantic Tradition. Cambridge: Cambridge University Press.

Joannou, Maroula. 1995. ‘Ladies, Please Don’t Smash These Windows’: Women’s Writing, Feminist Consciousness and Social Change, 1918–1938. Oxford: Berg.

––. 2002. ‘The Angel of Freedom: Dora Marsden and the Transformation of the Freewoman into the Egoist’. Women’s History Review 11.4: 595–611.

––, ed. 2012. The History of British Women’s Writing, 1920–1945. Basingstoke: Palgrave Macmillan.

John, Angela V. 2013. Turning the Tide: The Life of Lady Rhondda. Cardigan: Parthian Books.

Jones, Stephen G. 1986. Workers at Play: A Social and Economic History of Leisure 1918–1939. London: Routledge.

Kalantzis, Alexia. 2013. ‘The “Little Magazine” as Publishing Success: Le Scapin (1885–6); La Pléiade (1886–90); and Le Mercure de France (1889–1965)’. The Oxford Critical and Cultural History of Modernist Magazines. Vol. III, Europe 1880–1940, Part I. Ed. Peter Brooker, Sascha Bru, Andrew Thacker and Christian Weikop. Oxford: Oxford University Press. 60–75.

Kaplan, Sydney Janet. 2010. Circulating Genius: John Middleton Murry, Katherine Mansfield and D. H. Lawrence. Edinburgh: Edinburgh University Press.

Karshan, Thomas. 2011. Vladimir Nabokov and the Art of Play. Oxford: Oxford University Press.

Kent, Susan Kingsley. 1993. Making Peace: The Reconstruction of Gender in Interwar Britain. Princeton: Princeton University Press.

Krasner, David, ed. 2008. Theatre in Theory, 1900–2000. Oxford: Blackwell.

(p.290) Law, Cheryl. 1997. The Suffrage and Power: The Women’s Movement 1918–28. London: Tauris.

Leavis, Q. D. 1932. Fiction and the Reading Public. London: Pimlico.

Lee, Hermione. 1996. Virginia Woolf. London: Chatto & Windus.

LeFanu, Sarah. 2003. Rose Macaulay: A Biography. London: Virago.

Leiss, William, Stephen Kline, Sut Jhally and Jacqueline Botterill. 2005. Social Communication in Advertising, Consumption in the Mediated Marketplace. 3rd edn. London: Routledge.

Lejeune, Anthony. 1956. Time and Tide Anthology. London: Andre Deutsch.

Leventhal, F. M. 1974. ‘H. N. Brailsford and the New Leader’. Journal of Contemporary History 9.1: 91–113.

Lewis, John, ed. 1935. Christianity and the Social Revolution. London: Gollancz.

Lewis, Pericles. 2010. Religious Experience in the Modernist Novel. Cambridge: Cambridge University Press.

Littau, Karin. 2006. Theories of Reading: Books, Bodies, and Bibliomania. Cambridge: Polity.

Livesey, Ruth, 2004. ‘Socialism and Victorian Poetry’. Literature Compass 1.1: 1–6

London, Bette. 1999. Writing Double: Women’s Literary Partnerships. Ithaca, NY: Cornell University Press.

––. 2007. ‘Mediumship, Automatism and Modernist Authorship’. Gender in Modernism: New Geographies, Complex Intersections. Urbana and Chicago: University of Illinois Press. 623–76.

Lonsdale, Sarah. 2018. ‘“The Sheep and the Goats”: Interwar Women Journalists, the Society of Women Journalists, and the Woman Journalist’. W omen’s Periodicals and Print Culture in Britain, 1918–1939. Ed. Catherine Clay, Maria DiCenzo, Barbara Green and Fiona Hackney. Edinburgh: Edinburgh University Press. 463–76.

Low, Rachael. 1997. The History of the British Film 1918–1939. London: Allen & Unwin.

Lucas, John. 2000. The Radical Twenties: Aspects of Writing, Politics and Culture. Nottingham: Five Leaves.

Lyon, Janet. 1999. Manifestoes: Provocations of the Modern. Ithaca, NY and London: Cornell University Press.

McCarthy, Helen. 2013. ‘Democratising Foreign Policy Between the Wars’. The Aftermath of Suffrage: Women, Gender, and Politics in Britain 1918–1939. Ed. Julie Gottlieb and Richard Toye. Basingstoke: Palgrave Macmillan. 142–58.

McNamara, Sallie. 2014. ‘Lady Eleanor Smith: The Society Column, 1927–1930’. Women and the Media: Feminism and Femininity in Britain, 1900 to the Present. Ed. Maggie Andrews and Sallie McNamara. London: Routledge. 46–61.

Marcus, Laura. 2007. The Tenth Muse: Writing About Cinema in the Modernist Period. Oxford: Oxford University Press.

(p.291) Marek, Jayne E. 1995. Women Editing Modernism: “Little” Magazines and Literary History. Kentucky: University Press of Kentucky.

Matthews, Sean. 2009. ‘“Say Not the Struggle Naught Availeth …”: Scrutiny (1932–53)’. The Oxford Critical and Cultural History of Modernist Magazines, vol.1, Britain and Ireland 1880–1955. Ed. Peter Brooker and Andrew Thacker. Oxford: Oxford University Press. 833–55.

Messenger, Rosalind. 1967. The Doors of Opportunity: A Biography of Dame Caroline Haslett. London: Femina Books.

Mills, Jean. 2016. ‘Virginia Woolf and the Politics of Class’. A Companion to Virginia Woolf. Ed. Jessica Berman. Oxford: Wiley Blackwell. 219–34.

Mitchison, Naomi. 1934. Home and a Changing Civilisation. London: John Lane.

––. 1979. You May Well Ask. A Memoir 1920–1940. London: Flamingo, 1986.

Montefiore, Janet. 1996. Men and Women Writers of the 1930s: The Dangerous Flood of History. London: Routledge.

Moore, James Ross. 2007. ‘Girl Crazy: Music and Revue between the Wars’. British Theatre between the Wars 1918–1939. Ed. Clive Barker and Maggie B. Gale. Cambridge: Cambridge University Press.

Morgan, Sue and Jacqueline DeVries, eds. 2010. Women, Gender, and Religious Cultures in Britain, 1800–1940. London: Routledge.

Morris, Benny. 1991. The Roots of Appeasement: The British Weekly Press and Nazi Germany During the 1930s. London: Frank Cass & Co. Ltd.

Morris, Lynda and Robert Radford. 1983. The Story of the Artists International Association 1933–1953. Oxford: Museum of Modern Art.

Morrisson, Mark S. 2001. The Public Face of Modernism: Little Magazines, Audiences and Reception, 1905–1920. Wisconsin: University of Wisconsin Press.

Moses, Michael Valdez. 2010. ‘Modernists as Critics’. The Oxford Handbook of Modernisms. Ed. Peter Brooker, Andrzej Gasiorek, Andrew Thacker and Deborah Longworth. Oxford: Oxford University Press. 139–55.

Mulhern, Francis. 1979. The Moment of Scrutiny. London: New Left Books.

Munton, Alun. 2010. ‘Modernist Politics: Socialism, Anarchism, Fascism’. The Oxford Handbook of Modernisms. Ed. Peter Brooker, Andrzej Gasiorek, Andrew Thacker and Deborah Longworth. Oxford: Oxford University Press. 477–500.

Murray, Simone. 2000. ‘“Deeds and Words”: The Woman’s Press and the Politics of Print’. Women: A Cultural Review 11. 3: 197–222.

Nelson, Otto M. 1978. ‘Simplicissimus and the Rise of National Socialism’. Historian 40. 3: 441–62.

Newton, Leslie. 2012. ‘Picturing Smartness: Cartoons in the New Yorker, Vanity Fair, and Esquire in the Age of Cultural Celebrities’. Journal of Modern Periodical Studies 3.1: 64–92.

(p.292) North, Michael. 2013. Novelty: A History of the New. Chicago: University of Chicago Press.

Oram, Alison and Annemarie Turnbull. 2001. The Lesbian History Sourcebook: Love and Sex between Women in Britain from 1780–1970. London: Routledge.

Pailer, Gaby, Andreas Böhn, Stefan Horlacher and Ulrich Scheck, eds. 2009. Gender and Laughter: Comic Affirmation and Subversion in Traditional and Modern Media. New York: Rodopi.

Parkes, Adam. 1996. Modernism and the Theatre of Censorship. Oxford: Oxford University Press.

Pawlowski, Merry. 1994. ‘Virginia Woolf, Three Guineas and Sons’. Virginia Woolf: Emerging Perspectives, 3rd Annual Conference on Virginia Woolf. Ed. Mark Hussey. New York: Pace University Press. 44–51.

Pederson, Joyce Senders. 2005. ‘Victorian Liberal Feminism and the “Idea” of Work’. Women and Work Culture: Britain c. 1850–1950. Ed. Krista Cowman and Louise A. Jackson. Aldershot: Ashgate. 27–47.

Plock, Vike. 2018. ‘“A Journal of the Period”: Modernism and Conservative Modernity in Eve: The Lady’s Pictorial (1919–1929)’. Women’s Periodicals and Print Culture in Britain, 1918–1939. Ed. Catherine Clay, Maria DiCenzo, Barbara Green and Fiona Hackney. Edinburgh: Edinburgh University Press. 28–41.

Powell, Violet. 1988. The Life of a Provincial Lady: A Study of E. M. Delafield and her Works. London: Heinemann.

Powers, Lyall H. 2006. Henry James at Work by Theodora Bosanquet; with excerpts from her diary and an account of her professional career. Ann Arbor: University of Michigan Press.

Prothero, Iorweth. 1974. ‘William Benbow and the Concept of the “General Strike”’. Past and Present 63.1: 132–71.

Puchner, Martin. 2002. Stage Fright: Modernism, Anti-Theatricality, and Drama. Baltimore: Johns Hopkins University Press.

Purkis, Charlotte. 2011. ‘Velona Pilcher and Dame Ellen Terry’. Ellen Terry, Spheres of Influence. Ed. Katharine Cockin. London: Pickering & Chatto.

Pursell, Caroll. 1993. ‘“Am I a Lady or an Engineer?” The Origins of the Women’s Engineering Society in Britain, 1918–1940’. Technology and Culture 34.1: 78–97.

Purvis, June and Sandra Stanley Holton, eds. 2000. Votes for Woman. London: Routledge.

Pykett, Lyn. 2000. ‘The Making of a Modern Woman Writer: Rebecca West’s Journalism, 1911–1930’. Journalism, Literature and Modernity: From Hazlitt to Modernism. Ed. Kate Campbell. Edinburgh: Edinburgh University Press. 176–90.

Rabaté, Jean-Michel. 2009. ‘Gender and Modernism: The Freewoman (1911–12), The New Freewoman (1913), and The Egoist (1914–19)’. The Oxford Critical and Cultural History of Modernist Magazines, (p.293) vol. 1, Britain and Ireland 1880–1955. Ed. Peter Brooker and Andrew Thacker. Oxford: Oxford University Press. 269–89.

Rains, Stephanie. 2015. ‘Going in for Competitions: Active Readers and Magazine Culture, 1900–1910’. Media History 21.2: 138–49.

Rhondda, Margaret. 1933. This Was My World. London: Macmillan.

Roach, Becky. 2018. ‘“The Lady Interviewer and Her Methods”: Chatter, Celebrity, and Reading Communities’. Women’s Periodicals and Print Culture in Britain, 1918–1939. Ed. Catherine Clay, Maria DiCenzo, Barbara Green and Fiona Hackney. Edinburgh: Edinburgh University Press. 170–84.

Robins, Elizabeth. 1913. Way Stations. London: Hodder & Stoughton.

Ross, Ellen. 2015. ‘Militarism, Pacifism, and Internationalism’. Cambridge Companion to Modernist Culture. Ed. Celia Marshik. Cambridge: Cambridge University Press. 66–78.

St John, Christopher. 1959. Ethel Smyth, a Biography. London: Longmans.

Schreiner, Olive. 1911. Woman and Labour. London: Virago, 1988.

Scott, Bonnie Kime, ed. 1990. The Gender of Modernism: A Critical Anthology. Bloomington and Indianapolis: Indiana University Press.

––.1995. Refiguring Modernism, vol. 1: The Women of 1928. Bloomington: Indiana University Press.

––, ed. 2000. Selected Letters of Rebecca West. New Haven: Yale University Press.

Scott, Joan W. 1988. ‘Deconstructing Equality-versus-Difference: Or, the Uses of Poststructuralist Theory for Feminism’. Feminist Studies 14.1: 32–50.

Sewell, Brocard. 1990. G.K.’S. Weekly: An Appraisal. Upton: The Aylesford Press.

Sexton, Jamie. 2002. ‘The Film Society and the Creation of an Alternative Film Culture in Britain in the 1920s’. Young and Innocent? The Cinema in Britain 1896–1930. Ed. Andrew Higson. Exeter: University of Exeter Press. 291–305.

Shaw, Marion. 1999. The Clear Stream: A Life of Winifred Holtby. London: Virago.

Shaw-Miller, Simon. 2010. ‘Modernist Music’. The Oxford Handbook of Modernisms. Ed. Peter Brooker, Andrzej Gasiorek, Andrew Thacker and Deborah Longworth. Oxford: Oxford University Press Oxford: Oxford University Press. 599–617.

Shepherd-Barr, Kirsten. 2005. ‘Modernism and Theatrical Performance’. Modernist Cultures 1.1: 59–68.

Shiach, Morag. 2004. Modernism, Labour and Selfhood in British Literature and Culture, 1890–1930. Cambridge: Cambridge University Press.

Smith, Adrian. 1996. The New Statesman: Portrait of a Political Weekly 1913–1931. London: Frank Cass.

Snaith, Anna. 2000a. Virginia Woolf: Public and Private Negotiations. Basingstoke: Palgrave Macmillan.

(p.294) ––. 2000b. ‘Wide Circles: The Three Guineas Letters’. Woolf Studies Annual 6: 1–168.

––. 2007. Palgrave Advances in Virginia Woolf Studies. Basingstoke: Palgrave Macmillan.

––. 2010. ‘The Hogarth Press and Networks of Anti-Colonialism’. Leonard and Virginia Woolf, the Hogarth Press and the Networks of Modernism. Ed. Helen Southworth. Edinburgh: Edinburgh University Press. 103–27.

––. 2015. Introduction to Virginia Woolf, A Room of One’s Own and Three Guineas. Oxford: Oxford University Press. xi–xxxix.

Snyder, Carey. 2010. ‘Katherine Mansfield and the New Age School of Satire’. Journal of Modern Periodical Studies 1.2: 125–58.

Southworth, Helen. 2014. ‘The Bloomsbury Group and the Book Arts’. The Cambridge Companion to the Bloomsbury Group. Ed. Victoria Rosner. Cambridge: Cambridge University Press. 144–61.

Spender, Dale. 1984. Time and Tide Wait for No Man. London: Pandora Press.

Staveley, Alice. 2008. ‘Teacups and Turbines: Negotiating Modernity in the Interwar Women’s Professional Magazine’. Paper given at the 10th annual conference of the Modernist Studies Association, Nashville, Tennessee.

Stead, Lisa. 2016. Off to the Pictures: Cinemagoing, Women’s Writing and Movie Culture in Interwar Britain. Edinburgh: Edinburgh University Press.

––. 2018. ‘“Dear Cinema Girls”: Girlhood, Cinemagoing, and the Interwar Film Magazine’. Women’s Periodicals and Print Culture in Britain 1918–1939: The Interwar Period. Ed. Catherine Clay, Maria DiCenzo, Barbara Green and Fiona Hackney. Edinburgh: Edinburgh University Press. 103–17.

Stetz, Margaret D. 1994. ‘Rebecca West’s Criticism: Alliance, Tradition, and Modernism’. ReReading Modernism: New Directions in Feminist Criticism. Ed. Lisa Rado. New York: Garland. 41–66.

––. 2001. British Women’s Comic Fiction: Not Drowning but Laughing. Aldershot: Ashgate.

Suh, Judy. 2009. Fascism and Anti-Fascism in Twentieth-Century British Fiction. Basingstoke: Palgrave Macmillan.

Sullivan, Alvin, ed. 1986. British Literary Magazines, 4 vols. London: Greenwood Press.

Sullivan, Melissa. 2011. ‘“I return with immense relief to old friend Time and Tide”: Middlebrow Expansions in E. M. Delafield’s Fiction and Journalism’. Modernist Cultures 6.1: 96–120.

Surette, Leon. 1993. The Birth of Modernism: Ezra Pound, T. S. Eliot, W. B. Yeats, and Occult Modernism. Montreal; London: McGill Queen’s University Press.

––. 2010. ‘Economics.’ Ezra Pound in Context. Ed. Ira B. Naidel. Cambridge: Cambridge University Press. 106–14.

Sword, Helen. 2002. Ghostwriting Modernism. Ithaca, NY: Cornell University Press.

(p.295) Thurschwell, Pamela. 2001. Literature, Technology and Magical Thinking, 1880–1920. Cambridge: Cambridge University Press.

Tracy, Daniel. 2010. ‘Investing in “Modernism”: Smart Magazines, Parody, and Middlebrow Professional Judgment’. Journal of Modern Periodical Studies. 1.1: 38–63.

Tusan, Michelle. 2005. Women Making News: Gender and Journalism in Modern Britain. Urbana and Chicago: University of Illinois Press.

Walker, Nancy. 1988. A Very Serious Thing: Women’s Humor and American Culture. Minneapolis: University of Minnesota Press.

Warren, Lynne. 2000. ‘Women in Conference: Reading the Correspondence Columns in Woman 1890–1910’. Nineteenth-Century Media and the Construction of Identities. Ed. Laurel Brake, Bill Bell and David Finkelstein. Basingstoke: Palgrave Macmillan. 122–34.

Wasson, Haidee. 2002. ‘Writing the Cinema into Daily Life: Iris Barry and the Emergence of British Film Criticism’. Young and Innocent? The Cinema in Britain 1896–1930. Ed. Andrew Higson. Exeter: University of Exeter Press. 321–77.

Whitelaw, Lis. 1990. The Life and Rebellious Times of Cicely Hamilton: Actress, Writer, Suffragette. London: The Women’s Press.

Widdowson, Peter. 1999. Literature. London: Routledge.

Williams, Raymond. 1989. Politics of Modernism: Against the New Conformists. London: Verso.

Wilson, Leigh. 2013. Modernism and Magic: Experiments with Spiritualism, Theosophy and the Occult. Edinburgh: Edinburgh University Press.

Wilson, Nicola. 2012. ‘Virginia Woolf, Hugh Walpole, the Hogarth Press, and the Book Society’. English Literary History 79.1: 237–60.

Wood, Alice. 2013. Virginia Woolf’s Late Criticism: The Genesis of The Years, Three Guineas and Between the Acts. London: Bloomsbury.

Woolf, Virginia. 1929. A Room of One’s Own. A Room of One’s Own and Three Guineas. Oxford: Oxford University Press, 2015.

––. 1938. Three Guineas. A Room of One’s Own and Three Guineas. Oxford: Oxford University Press, 2015.

––. 2008. Selected Essays. Ed. David Bradshaw. Oxford: Oxford University Press.

Young, Tory. 2004. ‘Torrents of Trash’. The Cambridge Quarterly 33.2: 187–9.

Zanotti, Serenella. 2010. ‘Pound and Fascism’. Ezra Pound in Context. Ed. Ira B. Naidel. Cambridge: Cambridge University Press. 376–90.

Zwerdling, Alex. 1986. Virginia Woolf and the Real World. Berkeley: University of California Press.