Jump to ContentJump to Main Navigation
Beyond Eastern NoirReimaging Russia and Eastern Europe in Nordic Cinemas$
Users without a subscription are not able to see the full content.

Anna Estera Mrozewicz

Print publication date: 2018

Print ISBN-13: 9781474418102

Published to Edinburgh Scholarship Online: September 2018

DOI: 10.3366/edinburgh/9781474418102.001.0001

Show Summary Details
Page of

PRINTED FROM EDINBURGH SCHOLARSHIP ONLINE (www.edinburgh.universitypressscholarship.com). (c) Copyright Edinburgh University Press, 2020. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in ESO for personal use.date: 28 March 2020

Borders: Russia and Eastern Europe as a Crime Scene

Borders: Russia and Eastern Europe as a Crime Scene

Chapter:
(p.31) Chapter 1 Borders: Russia and Eastern Europe as a Crime Scene
Source:
Beyond Eastern Noir
Author(s):

Anna Estera Mrozewicz

Publisher:
Edinburgh University Press
DOI:10.3366/edinburgh/9781474418102.003.0002

The first chapter is concerned with the cinematic narratives of Eastern noir, which adopt a border discourse and imagine Russia (and thereby often Eastern Europe) as a crime scene. In these crime narratives, Russia is essentialised as a crime scene, where the traces of crime comprise evidence of an omnipresent evil emanating from the centre of power. The chapter argues moreover that whereas Russia serves as the ‘great Other’, in whose gaze the small nations from the Nordic region are controlled and overseen, Eastern Europeans function merely as unfamiliar, rather than threatening, ‘others’. By juxtaposing diversity of genres, including popular Nordic action films (Orion’s Belt and Born American), two documentaries and a television series (Occupied), the chapter shows that the hegemonic Eastern noir narrative, although persistent in mainstream cinema, functions across various modes of cinematic expression. The analyses corroborate the fact that border discourse affords the viewers a sense of safety in the increasingly globalised reality.

Keywords:   Russia, Eastern Europe, small nation, crime scene, crime narratives, great Other, Nordic action films, Orion’s Belt, Born American, Occupied

Edinburgh Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.

Please, subscribe or login to access full text content.

If you think you should have access to this title, please contact your librarian.

To troubleshoot, please check our FAQs, and if you can't find the answer there, please contact us.