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Katherine Mansfield and Psychology$
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Clare Hanson, Gerri Kimber, and W. Todd Martin

Print publication date: 2016

Print ISBN-13: 9781474417532

Published to Edinburgh Scholarship Online: May 2017

DOI: 10.3366/edinburgh/9781474417532.001.0001

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PRINTED FROM EDINBURGH SCHOLARSHIP ONLINE (www.edinburgh.universitypressscholarship.com). (c) Copyright Edinburgh University Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in ESO for personal use.date: 20 September 2021

Poise

Poise

Chapter:
(p.151) Poise
Source:
Katherine Mansfield and Psychology
Author(s):

Angela Smith

Publisher:
Edinburgh University Press
DOI:10.3366/edinburgh/9781474417532.003.0013

This essay argues that J D Fergusson’s Poise, painted in 1916, cannot be a portrait of Mansfield. With portraits, Fergusson often named his sitters. The woman in the picture representing an abstract quality is blue-eyed and vigorous, resembling one of Morris’s dancers. By 1916 Mansfield, who had brown eyes, had tubercular symptoms. In a letter to Murry she analyses Poise objectively with the tone of a friendly critic, whereas when she does sit for a portrait, to Anne Estelle Rice, she describes the process with the interest of a writer protective of her own image.

Keywords:   J. D. Fergusson, Poise, Anne Estelle Rice, Morris, image

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