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The Museum as a Cinematic SpaceThe Display of Moving Images in Exhibitions$
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The Museum as a Cinematic Space: The Display of Moving Images in Exhibitions

Elisa Mandelli

Print publication date: 2019

Print ISBN-13: 9781474416795

Published to Edinburgh Scholarship Online: May 2021

DOI: 10.3366/edinburgh/9781474416795.001.0001

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PRINTED FROM EDINBURGH SCHOLARSHIP ONLINE (www.edinburgh.universitypressscholarship.com). (c) Copyright Edinburgh University Press, 2022. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in ESO for personal use.date: 01 July 2022

Conclusions

Conclusions

Chapter:
(p.137) Conclusions
Source:
The Museum as a Cinematic Space
Author(s):

Elisa Mandelli

Publisher:
Edinburgh University Press
DOI:10.3366/edinburgh/9781474416795.003.0012

This chapter runs through the main arguments of the book and traces the conclusions, arguing that not only audio-visuals can be incorporated in exhibitions, but exhibitions can also be structured according to cinematic principles, or be influenced by the configuration of the “classic” cinematic dispositive. Moreover, moving images play a key role in shaping the relationships between visitors and the museum. The cinematic component should thus be understood as a “structural element” of contemporary museum exhibitions, rather than as an extrinsic component.

Keywords:   Display of Moving Images, Visitors, Cinematic Dispositive

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