Jump to ContentJump to Main Navigation
The Museum as a Cinematic SpaceThe Display of Moving Images in Exhibitions$
Users without a subscription are not able to see the full content.

Elisa Mandelli

Print publication date: 2019

Print ISBN-13: 9781474416795

Published to Edinburgh Scholarship Online: May 2021

DOI: 10.3366/edinburgh/9781474416795.001.0001

Show Summary Details
Page of

PRINTED FROM EDINBURGH SCHOLARSHIP ONLINE (www.edinburgh.universitypressscholarship.com). (c) Copyright Edinburgh University Press, 2022. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in ESO for personal use.date: 01 July 2022

Conclusions

Conclusions

Chapter:
(p.137) Conclusions
Source:
The Museum as a Cinematic Space
Author(s):

Elisa Mandelli

Publisher:
Edinburgh University Press
DOI:10.3366/edinburgh/9781474416795.003.0012

This chapter runs through the main arguments of the book and traces the conclusions, arguing that not only audio-visuals can be incorporated in exhibitions, but exhibitions can also be structured according to cinematic principles, or be influenced by the configuration of the “classic” cinematic dispositive. Moreover, moving images play a key role in shaping the relationships between visitors and the museum. The cinematic component should thus be understood as a “structural element” of contemporary museum exhibitions, rather than as an extrinsic component.

Keywords:   Display of Moving Images, Visitors, Cinematic Dispositive

Edinburgh Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.

Please, subscribe or login to access full text content.

If you think you should have access to this title, please contact your librarian.

To troubleshoot, please check our FAQs, and if you can't find the answer there, please contact us.