- Title Pages
- Introduction: Sentencing <i>Orlando</i>
- Chapter 1 ‘The Queen had come’: Orgasm and Arrival
- Chapter 2 ‘Something intricate and many-chambered’: Sexuality and the Embodied Sentence
- Chapter 3 Woolf, De Quincey and the Legacy of ‘Impassioned Prose’
- Chapter 4 Rhythms of Revision and Revisiting: Unpicking the Past in <i>Orlando</i>
- Chapter 5 ‘Let us go, then, exploring’: Intertextual Conversations on the Meaning of Life
- Chapter 6 ‘… and nothing whatever happened’: <i>Orlando</i>’s Continuous Eruptive Form
- Chapter 7 <i>Orlando</i>, Greece and the Impossible Landscape
- Chapter 8 Orlando <i>Famoso</i>: Obscurity, Fame and History in <i>Orlando</i>
- Chapter 9 Bibliographic Parturition in <i>Orlando</i>: Books, Babies, Freedom and Fame
- Chapter 10 The Day of <i>Orlando</i>
- Chapter 11 <i>Satzdenken</i>, Indeterminacy and the Polyvalent Audience
- Chapter 12 In Amorous Dedication: The Phrase, the Figure and the <i>Lover’s Discourse</i>
- Chapter 13 A Spirit in Flux: Aestheticism, Evolution and Religion
- Chapter 14 Sir Thomas Browne and the Reading of Remains in <i>Orlando</i>
- Chapter 15 The Negress and the Bishop: On Marriage, Colonialism and the Problem of Knowledge
- Chapter 16 <i>Orlando</i> and the Politics of (In)Conclusiveness
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