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Sentencing OrlandoVirginia Woolf and the Morphology of the Modernist Sentence$
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Elsa Högberg and Amy Bromley

Print publication date: 2018

Print ISBN-13: 9781474414609

Published to Edinburgh Scholarship Online: September 2018

DOI: 10.3366/edinburgh/9781474414609.001.0001

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PRINTED FROM EDINBURGH SCHOLARSHIP ONLINE (www.edinburgh.universitypressscholarship.com). (c) Copyright Edinburgh University Press, 2020. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in ESO for personal use.date: 26 May 2020

Satzdenken, Indeterminacy and the Polyvalent Audience

Satzdenken, Indeterminacy and the Polyvalent Audience

Chapter:
(p.139) Chapter 11 Satzdenken, Indeterminacy and the Polyvalent Audience
Source:
Sentencing Orlando
Author(s):

Steven Putzel

Publisher:
Edinburgh University Press
DOI:10.3366/edinburgh/9781474414609.003.0012

In this chapter, Steven Putzel introduces Roman Ingarden’s concept of satzdenken – the ‘flow of thinking the sentence’ – to examine the theatricality of Woolf’s sentences. Approaching his selected sentence through audience reception theory, Putzel also engages rich contextual material from Woolf’s preoccupation with Elizabethan and Jacobean theatre. His reading historicises textual variants between the first UK and US editions of Orlando, and stages for us his own analytic processing of the sentence – which included consulting the opinion of ‘a few grammarians’, who recommended he ‘rewrite the sentence’.

Keywords:   audience reception theory, grammar, textual variants, theatre, satzdenken

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