Blood in the Streets investigates the various ways in which 1970s Italian crime films were embedded in their immediate cultural and political contexts. The book analyses the emergence, proliferation and distribution of a range of popular film cycles (or filoni) - from conspiracy thrillers and vigilante films, to mafia and serial killer narratives - and examines what these reveal about their time and place. The engagement in these films with both the contemporary political turmoil of 1970s Italy and the traumas of the nation's recent past offer fascinating insights into wider anxieties of this ... More

Blood in the Streets investigates the various ways in which 1970s Italian crime films were embedded in their immediate cultural and political contexts. The book analyses the emergence, proliferation and distribution of a range of popular film cycles (or filoni) - from conspiracy thrillers and vigilante films, to mafia and serial killer narratives - and examines what these reveal about their time and place. The engagement in these films with both the contemporary political turmoil of 1970s Italy and the traumas of the nation's recent past offer fascinating insights into wider anxieties of this decade around the Second World War and its on-going political aftermath. Ultimately, these cycles' industrial conditions of rapid production schedules and concentrated release patterns are seen to be the key to understanding their significance, since these conditions allowed for swift responsiveness to political events, cinematic trends and attendant economic opportunities, while demanding the simplified construction of believable contemporary backdrops. The book thus reveals a repetitive accumulation of assumptions around historically constituted corruption, the impact of rapid socio-economic change and the lingering vestiges of wartime conflict.