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Blood in the StreetsHistories of Violence in Italian Crime Cinema$
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Austin Fisher

Print publication date: 2019

Print ISBN-13: 9781474411721

Published to Edinburgh Scholarship Online: January 2020

DOI: 10.3366/edinburgh/9781474411721.001.0001

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PRINTED FROM EDINBURGH SCHOLARSHIP ONLINE (www.edinburgh.universitypressscholarship.com). (c) Copyright Edinburgh University Press, 2020. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in ESO for personal use.date: 03 June 2020

Conclusion

Conclusion

Chapter:
(p.180) Conclusion
Source:
Blood in the Streets
Author(s):

Austin Fisher

Publisher:
Edinburgh University Press
DOI:10.3366/edinburgh/9781474411721.003.0007

This chapter considers issues of categorisation, and discusses the meaning, significance and usefulness of the word 'filone' for the study of this kind of cinematic output. The previous chapters' consistent recourse to notions of 'seriality' is here discussed as a unifying thread for the book as a whole, by considering filoni in relation to prevailing definitions of the 'film cycle'. The cinematic strands discussed throughout the book are found to vary widely in their relationship to such definitions, illuminating the industrial nature of this sector of the Italian film industry. The perpetual attempt to capitalise on topicality that resulted from this business model is ultimately seen to be the key to understanding these films' oscillation between repetition and difference. Their resultant traces of preoccupations with the recent past are key components of a contemporaneity that was assumed to be instantly recognisable to Italian audiences of the 1970s.

Keywords:   Filone cinema, Film cycles, Seriality

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