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Hamlet Lives in HollywoodJohn Barrymore and the Acting Tradition Onscreen$
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Murray Pomerance and Steven Rybin

Print publication date: 2017

Print ISBN-13: 9781474411394

Published to Edinburgh Scholarship Online: January 2019

DOI: 10.3366/edinburgh/9781474411394.001.0001

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PRINTED FROM EDINBURGH SCHOLARSHIP ONLINE (www.edinburgh.universitypressscholarship.com). (c) Copyright Edinburgh University Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in ESO for personal use.date: 17 September 2021

From Rome to Berlin: Barrymore as Romantic Lover

From Rome to Berlin: Barrymore as Romantic Lover

Chapter:
(p.71) Chapter 6 From Rome to Berlin: Barrymore as Romantic Lover
Source:
Hamlet Lives in Hollywood
Author(s):

Douglas McFarland

Publisher:
Edinburgh University Press
DOI:10.3366/edinburgh/9781474411394.003.0007

In four films made from 1926 to 1932, Don Juan, Eternal Love, Arsene Lupin, and Grand Hotel, John Barrymore played a series of leading men embroiled in passionate affairs. He showed himself adept at playing the accomplished flirt, the psychologically damaged lothario, the drunken target of seduction, and the sophisticated partner in crime. As this essay shows, these roles display a breadth of characterization and reveal Barrymore’s skill as an actor in both silent and sound films.

Keywords:   John Barrymore, masculinity, sound film, film performance

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