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Intermedial DialoguesThe French New Wave and the Other Arts$
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Marion Schmid

Print publication date: 2019

Print ISBN-13: 9781474410632

Published to Edinburgh Scholarship Online: January 2020

DOI: 10.3366/edinburgh/9781474410632.001.0001

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Introduction

Introduction

Chapter:
(p.1) Introduction
Source:
Intermedial Dialogues
Author(s):

Marion Schmid

Publisher:
Edinburgh University Press
DOI:10.3366/edinburgh/9781474410632.003.0001

The introduction contextualises the French New Wave's ambivalent relationship to the older arts with regard to cinema's wider struggle for recognition in the course of the twentieth century. Surveying the debates around medium specificity, cinematic 'purity' and 'impurity' from the classical avant-garde to the Nouvelle Vague, it addresses the French New Wave's complex discursive construction in relation to the more established arts. Reframing traditional studies of the French New Wave, it argues for an intermedial approach to illuminate this seminal movement of film history. The corpus, rationale and approach of the book are also introduced and clarified.

Keywords:   French New Wave, cinema's struggle for recognition, pure and impure cinema, auteur

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