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Scottish GothicAn Edinburgh Companion$
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Carol Margaret Davison and Monica Germana

Print publication date: 2017

Print ISBN-13: 9781474408196

Published to Edinburgh Scholarship Online: May 2020

DOI: 10.3366/edinburgh/9781474408196.001.0001

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PRINTED FROM EDINBURGH SCHOLARSHIP ONLINE (www.edinburgh.universitypressscholarship.com). (c) Copyright Edinburgh University Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in ESO for personal use.date: 25 July 2021

Gothic Hogg

Gothic Hogg

Chapter:
(p.115) Chapter 9 Gothic Hogg
Source:
Scottish Gothic
Author(s):

Scott Brewster

Publisher:
Edinburgh University Press
DOI:10.3366/edinburgh/9781474408196.003.0009

As Angela Wright has noted, in Scottish Gothic literature, graves and manuscripts are ‘warmly contested sites of authenticity and authority’ (2007: 76). The burial ground excavated at the end of James Hogg’s The Private Memoirs and Confessions of a Justified Sinner (1824) is just such a contested memorial: the grave that harbours an uncanny tale of religious fundamentalism, or diabolical possession, does not readily give up its secrets. Robert Wringhim’s corpse preserves a manuscript whose provenance, and legacy, cannot be determined. The exhumed body releases its enigmatic text into circulation, and this final resting place becomes an opening to future readings. In his antiquarian or archaeological – and thus typically Gothic – effort to authenticate Wringhim’s memoir, the Editor’s narrative draws on ‘history, justiciary records, and tradition’ (Hogg 2002c: 64) to frame the ‘singular’ document whose ‘drift’ (2002c: 174) he cannot comprehend. Yet the ‘sequel’ to these narratives (it is actually a beginning) returns us to Hogg’s home territory of the Borders.

Keywords:   James Hogg, Gothic, Jacobite, Grave

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