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Transnational Film Remakes$
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Iain Robert Smith and Constantine Verevis

Print publication date: 2017

Print ISBN-13: 9781474407236

Published to Edinburgh Scholarship Online: January 2018

DOI: 10.3366/edinburgh/9781474407236.001.0001

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Introduction: Transnational Film Remakes

Introduction: Transnational Film Remakes

Chapter:
(p.1) Introduction: Transnational Film Remakes
Source:
Transnational Film Remakes
Author(s):

Iain Robert Smith

Constantine Verevis

Publisher:
Edinburgh University Press
DOI:10.3366/edinburgh/9781474407236.003.0001

Film remakes are often dismissed within critical discourse as unoriginal, derivative and inferior to their source texts, yet this mode of critique takes on additional layers of meaning when films are remade transnationally as this process raises further issues surrounding national and/or ethnic identity and questions of cultural power. In order to investigate these kinds of complexities, this chapter focuses its attention on the phenomenon of transnational film remakes and the wider social and cultural issues that they raise. What happens when a film is remade in another national context? To what extent can a film embedded within one cultural context be adapted for another? How might a transnational perspective offer us a deeper understanding of a specific socio-political context, and of the politics underpinning film remaking more generally? Given the increasing emphasis on reworking existing material within global film (and screen) culture, there is a pressing need for scholarship to address this phenomenon in a rigorous and systematic way.

Keywords:   Transnational film remakes, Film remaking, Film culture

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