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Contemporary Spanish Gothic$
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Ann Davies

Print publication date: 2016

Print ISBN-13: 9781474402996

Published to Edinburgh Scholarship Online: January 2019

DOI: 10.3366/edinburgh/9781474402996.001.0001

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Introduction

Introduction

Chapter:
(p.1) Chapter 1 Introduction
Source:
Contemporary Spanish Gothic
Author(s):

Ann Davies

Publisher:
Edinburgh University Press
DOI:10.3366/edinburgh/9781474402996.003.0001

The introduction aims to lay out the historical and theoretical premises of this study. It considers the Gothic as a neglected concept in Spanish culture, the alternative mechanisms (such as esperpento or grotesque humour) which have been adopted when talking of the Gothic. The introduction then draws on theories of contemporary Gothic to assess to what extent the situation has changed for Spanish texts. It proceeds further to draw on concepts proposed by Tom O’Regan and Millie Buonanno, it outlines the underlying principle of the following chapters; that the Spanish Gothic is part of a contemporary cultural exchange which sees Spanish texts arguably participating in a wider, debatably transnational Gothic as much as if not more than looking to specifically national cultural concerns. It argues, in effect, that the contemporary Spanish Gothic is one mode through which Spanish culture looks outward as well as inward.

Keywords:   Gothic, Spanish Gothic, Spanish horror, Transnational Gothic, Cultural exchange

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