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Celluloid SingaporeCinema, Performance and the National$
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Edna Lim

Print publication date: 2018

Print ISBN-13: 9781474402880

Published to Edinburgh Scholarship Online: May 2020

DOI: 10.3366/edinburgh/9781474402880.001.0001

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PRINTED FROM EDINBURGH SCHOLARSHIP ONLINE (www.edinburgh.universitypressscholarship.com). (c) Copyright Edinburgh University Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in ESO for personal use.date: 29 July 2021

Singapore Cinema in Singapore

Singapore Cinema in Singapore

Chapter:
(p.165) 8. Singapore Cinema in Singapore
Source:
Celluloid Singapore
Author(s):

Edna Lim

Publisher:
Edinburgh University Press
DOI:10.3366/edinburgh/9781474402880.003.0008

By way of conclusion, this last chapter discusses current developments in Singapore cinema through recent films like Ilo Ilo (Anthony Chen, 2013), Meeting the Giant (Tay Ping Hui, 2014) and To Singapore with Love (Tan Pin Pin, 2014). It also examines the 7 Letters anthology of films (2015) and Eric Khoo’s In the Room (2015) as tributes against the context of Singapore’s fiftieth birthday celebrations. Analysis of these films shows that although the industry has grown, the heartland is still a site of contestation and the existence of other Singaporeans in (an)other Singapore continues to persist. The chapter also develops and expands on my prior argument on Singapore cinema’s position as (an)other cinema in Singapore.

Keywords:   Singapore, Singaporeans, Other, Cinema, Industry, Heartland, Tan Pin Pin, Eric Khoo, Ilo Ilo, 7 Letters

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