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Espionage and ExileFascism and Anti-Fascism in British Spy Fiction and Film$
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Phyllis Lassner

Print publication date: 2016

Print ISBN-13: 9781474401104

Published to Edinburgh Scholarship Online: January 2018

DOI: 10.3366/edinburgh/9781474401104.001.0001

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PRINTED FROM EDINBURGH SCHOLARSHIP ONLINE (www.edinburgh.universitypressscholarship.com). (c) Copyright Edinburgh University Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in ESO for personal use.date: 25 September 2021

Double Agency: Women Writers of Espionage Fiction

Double Agency: Women Writers of Espionage Fiction

Chapter:
(p.69) Chapter 2 Double Agency: Women Writers of Espionage Fiction
Source:
Espionage and Exile
Author(s):

Phyllis Lassner

Publisher:
Edinburgh University Press
DOI:10.3366/edinburgh/9781474401104.003.0003

This chapter examines the fiction of Helen MacInnes, Ann Bridge, With different narrative techniques, each of them dramatise ethical and political concerns about the viability of a second world war. They also reshape the genre of spy fiction by creating women protagonists who represent keen insights into narrative and political relationships, particularly deracination, exile, and antisemitism. Their novels respond critically to the way conventional spy thrillers draw heroes and villains as caricatures of good and evil and women as disposable attractions. Each writer engages gender analysis as a significant part of international politics and the genre of spy fiction.

Keywords:   Fascism, Gender, Women, Antisemitism, Heteroglossia, refugees

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