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Katherine Mansfield and Translation$
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Claire Davison, Gerri Kimber, and W. Todd Martin

Print publication date: 2015

Print ISBN-13: 9781474400381

Published to Edinburgh Scholarship Online: May 2017

DOI: 10.3366/edinburgh/9781474400381.001.0001

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PRINTED FROM EDINBURGH SCHOLARSHIP ONLINE (www.edinburgh.universitypressscholarship.com). (c) Copyright Edinburgh University Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in ESO for personal use.date: 23 July 2021

Parodic Translation: Katherine Mansfield and the ‘Boris Petrovsky’ Pseudonym

Parodic Translation: Katherine Mansfield and the ‘Boris Petrovsky’ Pseudonym

Chapter:
(p.15) Parodic Translation: Katherine Mansfield and the ‘Boris Petrovsky’ Pseudonym
Source:
Katherine Mansfield and Translation
Author(s):

Chris Mourant

Publisher:
Edinburgh University Press
DOI:10.3366/edinburgh/9781474400381.003.0002

This chapter examines the fraudulent ‘translations’ that Mansfield composed under the pseudonym ‘Boris Petrovsky’ for the little magazine Rhythm. Suggesting the possible origins of this imagined name, the article reads these poems within the original material contexts of publication, situating Mansfield’s ‘translations’ within a network of exchange between Rhythm and The New Age. Examining the specific political-historical contexts that inform the poems, the article also highlights Mansfield’s identification with a literary tradition of resistance to imperial hegemony, understanding ‘parodic translation’ as a tactic of critique and subversion. Appreciating these contexts allows us to consider the extent to which Mansfield’s other poetry contributions to Rhythm were shaped by an awareness of the equivalence between the literary canon and the structures of imperialism.

Keywords:   Parody, Postcolonial, Liminality, Russia, Internationalism, Imperialism, Rhythm, The New Age, Paul Selver, Cultural nationalism

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