“Every New Flower Arriving in the World”: Sa‘di and the Art of Ghazal Writing
“Every New Flower Arriving in the World”: Sa‘di and the Art of Ghazal Writing
This chapter is dedicated to the strategies used by Sa’di to infuse his adopted traditional lyric forms with freshness and surprise. Poetic repetition, similarity and dissimilarities of the images, new application of old tropes, and suppressed laughter in the background are discussed in this chapter
Keywords: Sa’di, poetic repetition, Lyricism and surprise, Natural imagery in Sa’di, Sa’di, morning imagery
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