- Title Pages
- Acknowledgements
- Abbreviations and Citations
- Epigraph
- Introduction
- Inlet
-
1. A Poetics of Listening -
2. Mr and Mrs Scotland Are Taking a Vacation in the Autonomous Region - Off the Page
-
3. Kathleen’s Scots -
4. Transcending the Urban: The Queen of Sheba - Hibernaculum
-
5. ‘Proceeding Without a Map’: Kathleen Jamie and the Lie of the Land -
6. ‘An Orderly Rabble’: Plural Identities in Jizzen -
7. ‘Sweet-Wild Weeks’: Birth, Being and Belonging in Jizzen - Even If
-
8. ‘The Tilt from One Parish to Another’: The Tree House and Findings -
9. Repetition, Return and the Negotiation of Place in The Tree House - A Man, a Former Environmental Activist Turned PR Consultant for Logging Companies, Defends His Choices
-
10. Form in The Tree House -
11. Nature and Embodiment in This Weird Estate - What the Water Says
-
12. Into the Centre of Things: Poetic Travel Narratives in the Work of Kathleen Jamie and Nan Shepherd -
13. ‘Connective Leaps’: Sightlines and The Overhaul - To KJ, in her Attic
-
14. Life Lines, Sight Lines: Collaborative Works -
15. Midlife Music: The Overhaul and Frissure -
16. ‘We Do Language Like Spiders Do Webs’: Kathleen Jamie and Michael Longley in Conversation - Notes on Contributors
- Bibliography
- Index
A Man, a Former Environmental Activist Turned PR Consultant for Logging Companies, Defends His Choices
A Man, a Former Environmental Activist Turned PR Consultant for Logging Companies, Defends His Choices
- Chapter:
- (p.100) A Man, a Former Environmental Activist Turned PR Consultant for Logging Companies, Defends His Choices
- Source:
- Kathleen Jamie
- Author(s):
- Rachel Falconer
- Publisher:
- Edinburgh University Press
Voice:
The sky is blue. The fairybird is blue.
A great bird soars across the sky’s blue dome,
its upturned bowl of brightest, brilliant blue
above the treeline and the canopy.
The canopy is closed: dipterocarpus,
your timber-lumber, underneath whose crowns
smaller trees grow whose limbs form scaffolding...
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- Title Pages
- Acknowledgements
- Abbreviations and Citations
- Epigraph
- Introduction
- Inlet
-
1. A Poetics of Listening -
2. Mr and Mrs Scotland Are Taking a Vacation in the Autonomous Region - Off the Page
-
3. Kathleen’s Scots -
4. Transcending the Urban: The Queen of Sheba - Hibernaculum
-
5. ‘Proceeding Without a Map’: Kathleen Jamie and the Lie of the Land -
6. ‘An Orderly Rabble’: Plural Identities in Jizzen -
7. ‘Sweet-Wild Weeks’: Birth, Being and Belonging in Jizzen - Even If
-
8. ‘The Tilt from One Parish to Another’: The Tree House and Findings -
9. Repetition, Return and the Negotiation of Place in The Tree House - A Man, a Former Environmental Activist Turned PR Consultant for Logging Companies, Defends His Choices
-
10. Form in The Tree House -
11. Nature and Embodiment in This Weird Estate - What the Water Says
-
12. Into the Centre of Things: Poetic Travel Narratives in the Work of Kathleen Jamie and Nan Shepherd -
13. ‘Connective Leaps’: Sightlines and The Overhaul - To KJ, in her Attic
-
14. Life Lines, Sight Lines: Collaborative Works -
15. Midlife Music: The Overhaul and Frissure -
16. ‘We Do Language Like Spiders Do Webs’: Kathleen Jamie and Michael Longley in Conversation - Notes on Contributors
- Bibliography
- Index