This chapter argues that not only has the 21st century seen a rise in popularity of the vampire and zombie in film and television but that this period has also witnessed an increased dialogue between these two conceptions of the undead, which highlights symmetry over opposition. This chapter argues that the increased interconnection between vampires and zombies in popular culture is a result of a growing pre-occupation with notions of apocalypse. Rather than simply presenting this development as a response to the events of 9/11, this chapter posits that since the turn of the millennium there has been a growing fascination with the apocalypse within contemporary media, responding to a range of transformative global events. It is through fictions surrounding the vampire and zombie that the trauma of these events is negotiated. Case studies include Buffy the Vampire Slayer and Angel.
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