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From Film Practice to Data ProcessProduction Aesthetics and Representational Practices of a Film Industry in Transition$
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Sarah Atkinson

Print publication date: 2018

Print ISBN-13: 9780748693580

Published to Edinburgh Scholarship Online: September 2018

DOI: 10.3366/edinburgh/9780748693580.001.0001

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PRINTED FROM EDINBURGH SCHOLARSHIP ONLINE (www.edinburgh.universitypressscholarship.com). (c) Copyright Edinburgh University Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in ESO for personal use.date: 25 July 2021

Digital Film Production Studies

Digital Film Production Studies

Chapter:
(p.1) Chapter 1 Digital Film Production Studies
Source:
From Film Practice to Data Process
Author(s):

Sarah Atkinson

Publisher:
Edinburgh University Press
DOI:10.3366/edinburgh/9780748693580.003.0001

The chapter provides a state-of-the field picture in 2012 – a moment where industry discourse was rife with representations and images of the impacts of digital technologies upon film production. The chapter outlines the approach of the book – the undertaking of a ‘Digital Film Production Study’ – a theoretical and conceptual framework synthesizing Production Studies, Film Studies and Digital Humanities, in order to be able to grapple with this complex industry at a critical moment of transition. The chapter outlines the methodology of the book - an examination of the people and processes involved in the entire lifecycle of one film – released under the title of Ginger & Rosa (Directed by Sally Potter) in October 2012. The chapter explains how it is emblematic of the transitional film-to-data period. The chapter also provides an overview of Sally Potter’s work and her own interest in how digital innovations in filmmaking a definition of digital film. It includes a review of production studies literature and an overview of the fields methods as well as outlines of the content and arguments of the books following six chapters.

Keywords:   Digital Film, Independent Film, Production Studies, Film Studies, Digital Humanities, Methods, Sally Potter, 2012, Digital dilemma

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