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American Postfeminist CinemaWomen, Romance and Contemporary Culture$
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Michele Schreiber

Print publication date: 2014

Print ISBN-13: 9780748693368

Published to Edinburgh Scholarship Online: September 2014

DOI: 10.3366/edinburgh/9780748693368.001.0001

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PRINTED FROM EDINBURGH SCHOLARSHIP ONLINE (www.edinburgh.universitypressscholarship.com). (c) Copyright Edinburgh University Press, 2020. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in ESO for personal use.date: 30 March 2020

: Beginnings Vs. Endings

: Beginnings Vs. Endings

The Future of the Postfeminist Cycle

Chapter:
(p.170) Conclusion: Beginnings Vs. Endings
Source:
American Postfeminist Cinema
Author(s):

Michele Schreiber

Publisher:
Edinburgh University Press
DOI:10.3366/edinburgh/9780748693368.003.0007

This chapter summarizes the arguments made throughout the book and examines the popular film, Bridesmaids(Feig, 2011) for how it asks provocative questions about, and points to some future directions for,the postfeminist romance cycle.

Keywords:   film, romance, women, comedy, genre, Bridesmaids

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