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The Besieged EgoDoppelgangers and Split Identity Onscreen$
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Caroline Ruddell

Print publication date: 2014

Print ISBN-13: 9780748692026

Published to Edinburgh Scholarship Online: September 2014

DOI: 10.3366/edinburgh/9780748692026.001.0001

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PRINTED FROM EDINBURGH SCHOLARSHIP ONLINE (www.edinburgh.universitypressscholarship.com). (c) Copyright Edinburgh University Press, 2020. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in ESO for personal use.date: 03 April 2020

Why Psychoanalysis?

Why Psychoanalysis?

Chapter:
(p.18) Chapter 1 Why Psychoanalysis?
Source:
The Besieged Ego
Author(s):

Caroline Ruddell

Publisher:
Edinburgh University Press
DOI:10.3366/edinburgh/9780748692026.003.0001

Those studying film now will be aware that psychoanalysis is not necessarily a favoured approach when it comes to researching film and the moving image. In fact, one feels the need to defend oneself if discussing the moving image in light of psychoanalytic theory. It is the aim of this chapter, then, to do exactly that - to offer up some of the key criticisms of psychoanalysis and to suggest how in fact it is still a valid and useful approach when analysing film. The approach in this chapter is to outline two key debates in order to highlight the pitfalls and uses of psychoanalysis. Firstly, one of the central debates in psychoanalytic theory is that of feminist criticism; this was integral to the Screen discussions during the 1970s, and beyond, and is important because it highlights how psychoanalysis has been both appropriated and repudiated by critics. Secondly this chapter will outline the major criticisms levelled at psychoanalysis during the ‘post theory’ debates initiated by David Bordwell and Noel Carroll (1996).

Keywords:   psychoanalysis, post-theory, feminism, Screen journal

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